{"id":1020,"date":"2025-05-31T00:49:23","date_gmt":"2025-05-30T22:49:23","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=1020"},"modified":"2025-06-01T01:39:13","modified_gmt":"2025-05-31T23:39:13","slug":"debata-teatr-vastar-ostruzno-quijote-quijote-quijote","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2025\/05\/31\/debata-teatr-vastar-ostruzno-quijote-quijote-quijote\/","title":{"rendered":"debata: TE\u00c1TR VA\u0160TAR, Ostru\u017eno: Quijote, Quijote, Quijote!"},"content":{"rendered":"\n

Pl\u00e9num:<\/strong><\/p>\n\n\n\n

Do p\u0159est\u00e1vky n\u00e1dhera. Pak to uk\u00e1zky z Kobry 11 shodily.<\/p>\n\n\n\n

Up\u0159\u00edmn\u00e1 hra, bavilo m\u011b od za\u010d\u00e1tku do konce. Zasa\u017een paralelou vnit\u0159n\u00ed reality s Donem Quijotem.<\/p>\n\n\n\n

Kvituje donquijotstv\u00ed mu\u017e\u016f. Nesm\u00edrn\u011b tvo\u0159iv\u00e1 hra. Na jednu stranu p\u0159i odchodu sm\u00edch a na druhou stranu smutek.<\/p>\n\n\n\n\n\n\n\n

Mo\u017en\u00e1 genera\u010dn\u00ed z\u00e1le\u017eitost v pochopen\u00ed, n\u011bkter\u00e9 chytlo od za\u010d\u00e1tku, n\u011bkter\u00e9 a\u017e kdy\u017e skoro p\u0159ekro\u010dili hranici absurdity.<\/p>\n\n\n\n

Radost z donquijotstv\u00ed u dne\u0161n\u00edch chlap\u016f: ud\u011blat n\u011bco, co je pot\u0159eba, a\u010dkoliv to je p\u0159edem prohran\u00e9.Nejv\u011bt\u0161\u00ed z\u00e1\u017eitek. Stylizace do komiky, do absurdna, schopnost si ud\u011blat si srandu sami ze sebe. Nebyl c\u00edtit kalkul, pot\u0159eba exhibice.<\/p>\n\n\n\n

Probl\u00e9m s kalhotami: pot\u0159eba vizu\u00e1ln\u00ed estetiky.<\/p>\n\n\n\n

Motiv t\u0159\u00ed herc\u016f, kte\u0159\u00ed hraj\u00ed jednu postavu je fajn a byli mil\u00ed. Nar\u00e1\u017eka na koncepci Karnealov\u00e9 kultury od Bachtina.<\/p>\n\n\n\n

Lekto\u0159i:<\/strong><\/p>\n\n\n\n

VH: Prvn\u00ed \u010d\u00e1st klauni\u00e1da, druh\u00e1 \u010d\u00e1st po p\u0159izn\u00e1n\u00ed z\u00e1m\u011brn\u00e9ho trapna a na konci vnit\u0159n\u00ed p\u0159izn\u00e1n\u00ed sama sebe p\u0159esv\u011bd\u010dila k respektov\u00e1n\u00ed tohoto tvaru.<\/p>\n\n\n\n

T\u017d: P\u0159echodov\u00e9 ritu\u00e1ly. P\u0159es klauni\u00e1du a patafyziku jasn\u00e9. Dehonestace mu\u017ee kalhotami je zaj\u00edmav\u00e1. Srovn\u00e1n\u00ed s grafikami a kontextem Dona Quijota.<\/p>\n\n\n\n

AS: V\u00fdsm\u011bch jak\u00e9mukoliv patosu. Vynikaj\u00edc\u00ed dramaturgick\u00e9 rozkryt\u00ed, o \u010dem Don Quijote je. U\u017e u Cervantese v\u00fdsm\u011bch braku. Existenci\u00e1ln\u00ed polohy velice zas\u00e1hly: pro\u010d jsme tady, pro\u010d d\u011blat divadlo, co znamenaj\u00ed slova svoboda, l\u00e1ska, ryt\u00ed\u0159stv\u00ed.<\/p>\n\n\n\n

PV: Siln\u00fd a dojemn\u00fd z\u00e1\u017eitek. Nab\u00eddka odpov\u011bdi na ot\u00e1zku, jak v dne\u0161n\u00ed cynick\u00e9 dob\u011b \u0159\u00edct na divadle n\u011bco up\u0159\u00edmn\u00e9ho. Klasickou strategi\u00ed je brut\u00e1ln\u00ed dekonstrukce. Tady dekonstrukce notoricky zn\u00e1m\u00e9 p\u0159edlohy. Na druh\u00e9 \u00farovni dekonstrukce herectv\u00ed, zcizov\u00e1ky. Na t\u0159et\u00ed \u00farovni dekonstrukce sv\u00e9ho ega. Udr\u017een\u00ed v\u0161ech t\u0159\u00ed \u00farovn\u00ed a z\u00e1rove\u0148 kladen\u00ed n\u00e1pad\u016f. Kl\u00ed\u010dov\u00e1 je div\u00e1ka emoce na konci. Jak ud\u011blat up\u0159\u00edmn\u00e9 p\u0159edstaven\u00ed, nab\u00edzet emoce, ani\u017e by se vylh\u00e1vali a d\u011blali si alibi. Duch Sancho Panzy se vzn\u00e1\u0161\u00ed nad celou hrou.<\/p>\n\n\n\n

Soubor: Kvitoval zm\u00ednku o Bachtinovi. Ten hodn\u011b zarezonoval v z\u00e1v\u011bru zkou\u0161en\u00ed.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Pl\u00e9num: Do p\u0159est\u00e1vky n\u00e1dhera. Pak to uk\u00e1zky z Kobry 11 shodily. Up\u0159\u00edmn\u00e1 hra, bavilo m\u011b od za\u010d\u00e1tku do konce. Zasa\u017een paralelou vnit\u0159n\u00ed reality s Donem Quijotem. Kvituje donquijotstv\u00ed mu\u017e\u016f. Nesm\u00edrn\u011b tvo\u0159iv\u00e1 hra. Na jednu stranu p\u0159i odchodu sm\u00edch a na …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":9,"featured_media":1021,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[],"class_list":["post-1020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=1020"}],"version-history":[{"count":5,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1020\/revisions"}],"predecessor-version":[{"id":1084,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1020\/revisions\/1084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media\/1021"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=1020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=1020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=1020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}