{"id":1134,"date":"2026-05-25T08:44:05","date_gmt":"2026-05-25T06:44:05","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=1134"},"modified":"2026-05-25T08:49:33","modified_gmt":"2026-05-25T06:49:33","slug":"pred-piskem-povidky-v-prajazyku","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2026\/05\/25\/pred-piskem-povidky-v-prajazyku\/","title":{"rendered":"p\u0159ed P\u00edskem: Pov\u00eddky v prajazyku"},"content":{"rendered":"\n

rozhovor s Markem Pra\u017e\u00e1kem p\u0159ed festivalem:<\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Pro\u010d jste se rozhodli ud\u011blat zrovna tuto inscenaci?<\/strong><\/p>\n\n\n\n

Inscenace\u2026mo\u017en\u00e1 se ten tvar d\u00e1 i takto nazvat\u2026se ve m\u011b tvo\u0159\u00ed ty fragmenty kontinu\u00e1ln\u011b a vz\u00e1jemn\u011b se prostupuj\u00ed, prol\u00ednaj\u00ed, \u201cevolutuj\u00ed\u201d. No a pro akci samou se duch, t\u011blo a mysl p\u0159iprav\u00ed na aktu\u00e1ln\u00ed v \u010dase a prostoru \u201cmanifestaci\u201d. V m\u00e9m p\u0159\u00edpad\u011b se jedn\u00e1 o soustavnou pr\u00e1ci. Tak\u017ee vlastn\u00ed \u201cp\u0159edstaven\u00ed\u201d (jak tento druh projevu pomocn\u011b naz\u00fdv\u00e1me v divadeln\u00ed a performativn\u00ed sf\u00e9\u0159e) je jen \u201c\u00fakrok\u201d  k projeven\u00ed universa skrz sebe.  <\/p>\n\n\n\n\n\n\n\n

Zkou\u0161\u00edte\/zkoum\u00e1te si v t\u00e9to inscenaci n\u011bco popsateln\u00e9ho slovy?<\/strong><\/p>\n\n\n\n

Zkoum\u00e1n\u00ed, zkou\u0161en\u00ed\u2026to je principem ve\u0161ker\u00e9ho m\u00e9ho \u010din\u011bn\u00ed jak ve vizu\u00e1ln\u00edm um\u011bn\u00ed, hudb\u011b, textu, pohybu\u2026\u201dzkou\u0161et existovat jinak\u201d, ne\u017e je ta na\u0161e \u201czv\u00ed\u0159ec\u00ed\u201d, ka\u017edodenn\u00ed norma\u201d. Co se t\u00fdk\u00e1 zkoum\u00e1n\u00ed sama sebe sv\u00fdm uv\u011bdom\u011bl\u00fdm v\u011bdom\u00edm, to snad pat\u0159\u00ed k b\u011b\u017en\u00e9 ment\u00e1ln\u00ed hygien\u011b a je neodd\u011bliteln\u011b spjato s tvorbou.    <\/p>\n\n\n\n

Jak\u00e9 si mysl\u00edte, \u017ee inscenace otev\u00edr\u00e1 ot\u00e1zky, p\u0159\u00edp. jak\u00e1 jsou hlavn\u00ed t\u00e9mata \u010di v\u00fdrazn\u00e9 motivy?<\/strong><\/p>\n\n\n\n

M\u00e9 pojet\u00ed, ch\u00e1p\u00e1n\u00ed, vn\u00edm\u00e1n\u00ed a pro\u017e\u00edv\u00e1n\u00ed sebe jako sou\u010d\u00e1st vesm\u00edru a naopak\u2026<\/p>\n\n\n\n

\u2026z toho vych\u00e1z\u00ed t\u00e9mata v\u017edy v\u00fdrazn\u011b existenci\u00e1ln\u00ed a t\u00fdkaj\u00edc\u00ed se p\u0159edev\u0161\u00edm mne jako bytosti. <\/p>\n\n\n\n

Jak\u00fdm zp\u016fsobem tvo\u0159\u00edte? \u2013 sp\u00ed\u0161 re\u017eis\u00e9rsky nebo sp\u00ed\u0161 kolektivn\u011b?; sp\u00ed\u0161 podle pevn\u00e9ho sc\u00e9n\u00e1\u0159e nebo sp\u00ed\u0161 voln\u011b?<\/strong><\/p>\n\n\n\n

Kombinuji ve sv\u00e9 tvorb\u011b, r\u016fzn\u00e9 postupy, metody, p\u0159\u00edstupy, struktury\u2026 jedn\u00e1 se o vylo\u017een\u011b autorsk\u00e1 p\u0159edstaven\u00ed. Od jemn\u00fdch nuanc\u00ed p\u0159es drastick\u00e9 \u201cn\u00e1\u0161lehy\u201d a\u017e po \u017e\u00e1douc\u00ed kartarzi.  <\/p>\n\n\n\n

Kdo je autorem sc\u00e9n\u00e1\u0159e\/vize, kdo inscenaci rozv\u00edj\u00ed, dod\u011bl\u00e1v\u00e1, vybru\u0161uje?<\/strong><\/p>\n\n\n\n

Jak jsem v\u00fd\u0161e uvedl, z toho vypl\u00fdv\u00e1, \u017ee pracuji v principu synt\u00e9zy.<\/p>\n\n\n\n

Dovolte mi zm\u00ednit p\u00e1r slov o Ostravsk\u00e9 Synt\u00e9ze.<\/p>\n\n\n\n

Dne 14. 5. 2026, tedy ned\u00e1vno jsme v divadle Kom\u016frka (sc\u00e9na v r\u00e1mci Komorn\u00ed sc\u00e9ny Ar\u00e9na) otev\u0159eli Galerii Ostravsk\u00e1 Synt\u00e9za v\u00fdstavou 8 autor\u016f. Galerie je profilovan\u00e1 na studenty, absolventy vysok\u00fdch um\u011bleck\u00fdch \u0161kol a solit\u00e9ry – to m\u016f\u017ee b\u00fdt i st\u0159edo\u0161kol\u00e1k, autodidakt. Ka\u017ed\u00fd autor bude m\u00edt s\u00f3lovou v\u00fdstavu a v r\u00e1mci vernis\u00e1\u017ee sv\u00e9 \u201cp\u0159edstaven\u00ed\u201d (a\u0165 u\u017e ske\u010d, grotesku, film, divadeln\u00ed, loutkov\u00e9 p\u0159edstaven\u00ed, vizu\u00e1ln\u00ed performov\u00e1n\u00ed…aj.). Galerie je pod hlavi\u010dkou divadla a tud\u00ed\u017e i t\u00e9mata tomu odpov\u00eddaj\u00ed. Tento \u201cb\u011bh\u201d 8 autor\u016f m\u00e1 t\u00e9ma \u201cVizualita a sc\u00e9nick\u00e9 c\u00edt\u011bn\u00ed\u201d.<\/p>\n\n\n\n

Auto\u0159i jsou studenti: 1x Damu (re\u017eie), 1x Jamu (sc\u00e9nografie), 3x Fakulta um\u011bn\u00ed Ostravsk\u00e1 univerzita (koncept, kresba, malba), St\u0159edn\u00ed um\u011bleck\u00e9 \u0161koly, Ostrava (malba – solit\u00e9r), Masarykovy univerzity Brno (historie a re\u017eie), Slezsk\u00e1 univerzita<\/p>\n\n\n\n

(audiovizu\u00e1ln\u00ed tvorba). Ostrava – tvorba v tomto prostoru m\u00e1 dlouhodob\u011b v\u00fdrazn\u011b \u201cmultimedi\u00e1ln\u00ed charakter\u201d skrz \u017e\u00e1nry, m\u00e9dia\u2026 Proto u\u017e v roce 2008 vznikla my\u0161lenka Ostravsk\u00e9 Synt\u00e9zy, kter\u00e1 je \u0161ir\u0161\u00edm pojmem pro porozum\u011bn\u00ed sou\u010dasn\u00e9mu d\u011bn\u00ed v Ostrav\u011b. Je\u0161t\u011b mali\u010dkost, byl jsem osloven jako kur\u00e1tor. Tak se i stalo.<\/p>\n\n\n\n

U\u010dinili jste jako tv\u016frci n\u011bjak\u00fd zaj\u00edmav\u00fd objev nebo z\u00edskali zaj\u00edmavou zku\u0161enost?<\/strong><\/p>\n\n\n\n

Ur\u010dit\u011b\u2026ono se to d\u011bje ka\u017ed\u00fd den, kdy\u017e \u201cd\u011bl\u00e1te\u201d. N\u011bjak\u00e9 z \u201cdepozitu\u201d zku\u0161enost\u00ed<\/p>\n\n\n\n

jist\u011b ji\u017e 31. 5. v P\u00edsku. Motto zn\u00ed: \u201cuvid\u00edte, co jste je\u0161t\u011b nesly\u0161eli\u201d.<\/p>\n\n\n\n

Kolikr\u00e1t jste inscenaci u\u017e hr\u00e1li a kolikr\u00e1t je\u0161t\u011b budete?<\/strong><\/p>\n\n\n\n

Jsme v procesu, tak\u017ee ka\u017ed\u00e1 inscenace je z\u00e1rove\u0148 premi\u00e9rou i derni\u00e9rou.<\/p>\n\n\n\n

Je to tro\u0161ku v\u00edce pr\u00e1ce, ale o to je to nap\u00ednav\u011bj\u0161\u00ed.<\/p>\n\n\n\n

V jak\u00e9m prostoru inscenaci hrajete?<\/strong><\/p>\n\n\n\n

Sc\u00e9na, kde m\u00e1m pravideln\u00e9 po\u0159ady je pod zmi\u0148ovanou Komorn\u00ed sc\u00e9nou Ar\u00e9na, Ostrava. Jmenuje se Kom\u016frka, je to divadeln\u00ed s\u00e1l bez elevace pro cca 60 div\u00e1k\u016f.<\/p>\n\n\n\n

M\u00e9 vystoupen\u00ed je hrateln\u00e9 v jak\u00e9mkoliv prostoru. Sp\u00ed\u0161e komorn\u00edm, akusticky dobr\u00e9m<\/p>\n\n\n\n

a uzav\u0159en\u00e9m. <\/p>\n\n\n\n

Co pova\u017eujete ve sv\u00e9 inscenaci za experiment?<\/strong><\/p>\n\n\n\n

V podstat\u011b si mysl\u00edm, \u017ee experiment neexistuje. Ned\u00e1vno jsem vid\u011bl jak b\u011bhem koncertu s filharmoni\u00ed – zp\u011bva\u010dka \u0165ukala do pet fla\u0161ky. Hudebn\u011b nula\u2026ale tv\u00e1\u0159ila se tak z\u00e1va\u017en\u011b, jako by to byl opravdu experiment. Takto vypad\u00e1 experiment ve tzv. v\u00e1\u017en\u00e9 hudb\u011b. Pro experiment je d\u016fle\u017eit\u00fd kontext.<\/p>\n\n\n\n

Jak je v\u00e1\u0161 soubor organizov\u00e1n?<\/strong><\/p>\n\n\n\n

\u0158eknu V\u00e1m tajemstv\u00ed. P\u0159ihl\u00e1\u0161ku (tu v Ostrav\u011b) jsem napsal \u201cexperiment\u00e1ln\u011b\u201d… sam\u00e9 nesmysly. Organizace je jednoduch\u00e1. Jeden t\u00fdpek. <\/p>\n\n\n\n

Ale ano, u\u017e m\u00e1me \u201cskorosoubor\u201d: jeden t\u00e1ta Tom – sv\u011btla a v\u0161e ostatn\u00ed (od Pepiny), jedna m\u00e1ma Johanka (od Pepiny) – garder\u00f3ba a v\u0161e ostatn\u00ed a Karin – druh\u00e1 garder\u00f3ba. R\u016fzn\u011b p\u0159ib\u00edr\u00e1me, podle charakteru akce. Jak se ty na\u0161e d\u011bcka hl\u00e1sili na re\u017eii (Damu, Jamu) tak n\u00e1s tak\u0159\u00edkaj\u00edc nakazily.  <\/p>\n\n\n\n

Jak\u00fd m\u00e1te vztah k m\u011bstu P\u00edsku?<\/strong><\/p>\n\n\n\n

Je to \u201c….a\u017e p\u0159\u00edli\u0161 kr\u00e1sn\u00e9 m\u011bsto\u2026\u201d pro \u010dlov\u011bka z Ostravy. Tak\u017ee pro klid du\u0161e ide\u00e1ln\u00ed. Minul\u00fd rok byla vybr\u00e1na na p\u0159ehl\u00eddku do P\u00edsku inscenace Otev\u00edr\u00e1m o\u010di moj\u00ed dcerky Viktorky a jej\u00ed kamar\u00e1dky Pepiny. My t\u00e1tov\u00e9 jsme tam byli poprv\u00e9. Jeli jsme d\u011blat kulis\u00e1ky, \u0161of\u00e9ry, \u0161t\u00e1b ap. No a tak jsem si \u0159\u00edkal, \u017ee bych se jako tat\u00ed\u010dek mohl \u201cpochlapit\u201d. A kdy\u017e mi p\u0159i\u0161la nab\u00eddka, p\u0159ihl\u00e1sit se na krajskou postupovou divadeln\u00ed p\u0159ehl\u00eddku Experis, r\u00e1d jsem p\u0159ijal. Samotn\u00e9ho by mne to nenapadlo\u2026ono je to moje \u201cp\u0159edv\u00e1d\u011bn\u00ed se\u201d p\u0159ece jenom trochu \u201cexperiment\u00e1ln\u011bj\u0161\u00ed\u201d, ne\u017e je zdr\u00e1vo. <\/p>\n\n\n\n

Je\u0161t\u011b o tom kr\u00e1sn\u00e9m P\u00edsku. My tady na severu vn\u00edm\u00e1me sv\u00e9 m\u011bsto jako neuv\u011b\u0159iteln\u011b ko\u0161at\u00e9 a inspiruj\u00edc\u00ed. Skl\u00e1d\u00e1 se toti\u017e z tolika neuv\u011b\u0159iteln\u011b bizarn\u00edch, odli\u0161n\u00fdch, kontrastn\u00edch \u010d\u00e1st\u00ed, \u010dtvrt\u00ed, estetick\u00fdch, p\u0159\u00edrodn\u00edch, soci\u00e1ln\u00edch struktur, kulturn\u00edch uzl\u016f, perifer\u00ed\u00ed, industri\u00e1ln\u00edch nesmysl\u016f\u2026 neust\u00e1le kmitaj\u00edc\u00edch a vyv\u00edjej\u00edc\u00edch se\u2026.pro tv\u016frce r\u00e1j, i kdy\u017e n\u011bkdy drsn\u00fd, ale \u201cvo to de\u201d… a do t\u011bch kr\u00e1sn\u00fdch, dekorativn\u00edch m\u011bst se \u0161tukami a v\u011b\u017ei\u010dkami jedeme na v\u00fdlet.<\/p>\n\n\n\n

Pak hupky \u0161upky zp\u011bt do r\u00e1je. <\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

rozhovor s Markem Pra\u017e\u00e1kem p\u0159ed festivalem: Pro\u010d jste se rozhodli ud\u011blat zrovna tuto inscenaci? Inscenace\u2026mo\u017en\u00e1 se ten tvar d\u00e1 i takto nazvat\u2026se ve m\u011b tvo\u0159\u00ed ty fragmenty kontinu\u00e1ln\u011b a vz\u00e1jemn\u011b se prostupuj\u00ed, prol\u00ednaj\u00ed, \u201cevolutuj\u00ed\u201d. No a pro akci samou se …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[85,6,84,1],"tags":[],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-2026-vse","category-rozhovory","category-vse-krome-debat","category-vseobecnosti"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":1,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1137,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1137"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}