{"id":1201,"date":"2026-05-30T23:56:27","date_gmt":"2026-05-30T21:56:27","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=1201"},"modified":"2026-05-30T23:56:27","modified_gmt":"2026-05-30T21:56:27","slug":"debata-mameni-brno-marysa-aneb-kun-neni-clovek-neni-kun-cili-debilove","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2026\/05\/30\/debata-mameni-brno-marysa-aneb-kun-neni-clovek-neni-kun-cili-debilove\/","title":{"rendered":"debata: M\u00e1men\u00ed, Brno Mary\u0161a aneb k\u016f\u0148 nen\u00ed \u010dlov\u011bk nen\u00ed k\u016f\u0148 \u010dili DebiLOVE"},"content":{"rendered":"\n

Pl\u00e9num:<\/h2>\n\n\n\n

Z Mary\u0161i zbylo v\u0161e. Nav\u00edc byly form\u00e1ln\u00ed v\u011bci: tryskaj\u00edc\u00ed.<\/p>\n\n\n\n

V p\u016fvodn\u00ed Mary\u0161e nebyly balonky.<\/p>\n\n\n\n

Na v\u0161echny postavy dopad\u00e1 tak trochu vina V\u00e1vry. A t\u00edm je to t\u00e9ma trochu vykost\u011bn\u00e9.<\/p>\n\n\n\n

V\u00fdklad je trochu jin\u00fd. Probl\u00e9m: za\u010dne to jako plej\u00e1da n\u00e1pad\u016f, pohybov\u00fdch, v\u00fdtvarn\u00fdch, textov\u00fdch – do chv\u00edle, kdy V\u00e1vra zem\u0159e. Pak se v\u0161e za\u010dne motat. A o n\u00e1sledovn\u011b vyhl\u00e1\u0161en\u00e9m t\u00e9matu \u201esv\u011bdom\u00ed\u201c se u\u017e pak nehraje. P\u0159ebije to forma. V jedn\u00e1n\u00ed chyb\u00ed zm\u00edn\u011bn\u00e9 t\u00e9ma.<\/p>\n\n\n\n

\u00da\u017easn\u00e9 vyu\u017eit\u00ed folkl\u00f3rn\u00edch prvk\u016f pozitivn\u00edm zp\u016fsobem.<\/p>\n\n\n\n

(Folklor na Slovensku je i jako protest proti vl\u00e1d\u011b. Je \u017eiv\u00fd.)<\/p>\n\n\n\n

Pro\u010d dnes? Za n\u00e1sil\u00ed p\u0159ich\u00e1z\u00ed trest. V tom je ur\u010dit\u00e1 nad\u011bje. Lze diskutovat o tom, jak moc je komplikovan\u00fd.<\/p>\n\n\n\n

Bylo by mi l\u00edto, kdyby tuto inscenaci dlouho odkl\u00e1dali – hroz\u00ed ztr\u00e1ta zam\u011b\u0159en\u00ed a fokusu.<\/p>\n\n\n\n

V ch\u00f3rov\u00fdch situac\u00edch nebylo jasn\u00e9, pro\u010d jsou tam v\u0161ichni. Nev\u00fdhodn\u00e9.<\/p>\n\n\n\n

Ch\u00f3r – nen\u00ed jako p\u0159ek\u00e1\u017eka u\u017eit\u00ed v\u0161ech.<\/p>\n\n\n\n

Text Mary\u0161i unesl zat\u00edm v\u0161e.<\/p>\n\n\n\n

Lekto\u0159i:
(Vladim\u00edr Hulec, Anna Saavedra, Tom\u00e1\u0161 \u017di\u017eka, Roman \u010cern\u00edk – mod.)<\/h2>\n\n\n\n

VH: Vid\u00edm inscenaci mnohem jinak a kriti\u010dt\u011bji. Je a\u017e moc ambici\u00f3zn\u00ed: \u201enedo\u010dkav\u00e9 divadlo\u201c. Mnoho t\u00e9mat, dekomponov\u00e1n\u00ed textu, dokument\u00e1rn\u00ed v\u011bci\u2026 p\u0159\u00edli\u0161 mnoho v\u00e1bni\u010dek, ale bez zd\u016frazn\u011bn\u00ed s\u00f3la. Ka\u017ed\u00fd se n\u011b\u010demu chytneme, ale vztah k folkloru jako takov\u00e9mu se tam t\u011b\u017eko objevuje. Pr\u00e1zdn\u00e9 divadlo, v\u0161e hraj\u00ed jen herci. Ale jednotliv\u00e9 slo\u017eky jsou nedota\u017een\u00e9. Bez generac\u00ed, nen\u00ed nalezena m\u00edra hran\u00ed a interpretace. N\u011bkdy se tam tan\u010d\u00ed, jako by herce kousla tarantule. Olejomalba na pr\u016fhledn\u00e9m pl\u00e1tn\u011b m\u00edsto l\u00e1tky. Cht\u011blo by to dal\u0161\u00ed dva, t\u0159i roky. N\u00e1ro\u010dn\u00e1 pr\u00e1ce – hudba, tanec, groteska.<\/p>\n\n\n\n

AS: Dramaturgicky kvituje zp\u016fsob vyko\u0161t\u011bn\u00ed klasika a rozh\u00e1zen\u00ed po jevi\u0161ti. Dramatick\u00e1 pr\u016fprava: \u00fa\u017easn\u00fd zp\u011bv, tance. V\u00fdborn\u00e9 zcizov\u00e1ky. Chvilkami \u201en\u011bmeck\u00e9\u201c divadlo: suver\u00e9nn\u00ed hereck\u00e9 v\u00fdkony, kter\u00e9 neimituj\u00ed pocity. Zdr\u017eenlivost. Vyta\u017een\u00e9 t\u00e9ma sv\u011bdom\u00ed. N\u00e1bo\u017eensk\u00e9, k\u0159es\u0165ansk\u00e9 odkazy. Mrzelo j\u00ed, \u017ee zaniklo t\u00e9ma dom\u00e1c\u00edho n\u00e1sil\u00ed – hnac\u00ed moment Mary\u0161i. Kdy\u017e div\u00e1k nepoc\u00edt\u00ed, \u017ee je V\u00e1vra n\u00e1siln\u00edk, z\u016fstane Mary\u0161a jako zatvrzel\u00e9 d\u00edt\u011b. Dal\u0161\u00ed ot\u00e1zka: jednogenera\u010dn\u00ed soubor – jak si herecky poradit v rozd\u011blen\u00ed generac\u00ed.<\/p>\n\n\n\n

Rozd\u00edl mezi \u010cechy a Moravou – na ji\u017en\u00ed Morav\u011b se st\u00e1le s\u0148atky domlouvaj\u00ed. Tradice zbavuje \u010dlov\u011bka sv\u011bdom\u00ed. Folkl\u00f3r se vyv\u00edj\u00ed – disko folkl\u00f3r. Ale tradice z\u016fst\u00e1vaj\u00ed.<\/p>\n\n\n\n

T\u017d: Vykost\u011bn\u00ed. H\u00e1dala se du\u0161e z t\u011blem a balonky (oslava). Nach\u00e1z\u00ed v t\u00e9m spojitost s d\u011bn\u00edm ve spole\u010dnosti na Slovensku: M\u00e1 to co do\u010din\u011bn\u00ed s tradic\u00ed, folklorem. Syntetick\u00e9 divadlo ve smyslu Scherhaufera. Jak nahl\u00ed\u017eet na Mary\u0161u.<\/p>\n\n\n\n

Je \u00fa\u017easn\u00e9, \u017ee tady na experimentu se \u0159e\u0161\u00ed to stejn\u00e9 jako na folkl\u00f3rn\u00edm festivale. Na Slovensku se folkl\u00f3r stal a\u017e bakchan\u00e1liemi. Je dobr\u00e9, \u017ee tance nemaj\u00ed n\u00e1dech klasiky, \u017ee je to ta sou\u010dasnost. Turbofolk.<\/p>\n\n\n\n

R\u010c: Koncentrace Mary\u0161i. A p\u0159itom tak dlouh\u00fd n\u00e1zev. Renesan\u010dn\u00ed n\u00e1zev. Folkl\u00f3rn\u00ed v\u011bci, tance, balk\u00e1nsk\u00fd beat. Archetyp\u00e1lnost p\u0159\u00edb\u011bhu.<\/p>\n\n\n\n

P\u0159em\u00fd\u0161lel o rozd\u00edlu mezi \u010cechy a Moravou. Vztah k folkl\u00f3ru a deformace lidov\u00e9ho tance. Kram\u00e1\u0159sk\u00e1 p\u00edse\u0148 na folklor. Nepr\u016fst\u0159eln\u00e1 vesta Mary\u0161i – jako fracek. Na konci diskotanec s folkl\u00f3rn\u00edm v\u00fdrazem do publika. Pro\u010d na konci ale Mary\u0161a tak\u00e9 tancuje?<\/p>\n\n\n\n

Soubor:<\/h2>\n\n\n\n

Podn\u011btn\u00e1 diskuse. N\u011bkter\u00e9 n\u00e1vrhy nejsou relevantn\u00ed, proto\u017ee z\u00e1m\u011br napln\u011bn.<\/p>\n\n\n\n

Nepro\u0161lo jazykovou korekturou!<\/em><\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

Pl\u00e9num: Z Mary\u0161i zbylo v\u0161e. Nav\u00edc byly form\u00e1ln\u00ed v\u011bci: tryskaj\u00edc\u00ed. V p\u016fvodn\u00ed Mary\u0161e nebyly balonky. Na v\u0161echny postavy dopad\u00e1 tak trochu vina V\u00e1vry. A t\u00edm je to t\u00e9ma trochu vykost\u011bn\u00e9. V\u00fdklad je trochu jin\u00fd. Probl\u00e9m: za\u010dne to jako plej\u00e1da n\u00e1pad\u016f, …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":9,"featured_media":1191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vseobecnosti"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":1,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":1202,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions\/1202"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media\/1191"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}