{"id":341,"date":"2020-06-28T15:55:31","date_gmt":"2020-06-28T13:55:31","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=341"},"modified":"2020-06-28T15:58:11","modified_gmt":"2020-06-28T13:58:11","slug":"osahavani-bundy-sestry-jejiho-brachy-iluze-a-skutecnosti","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2020\/06\/28\/osahavani-bundy-sestry-jejiho-brachy-iluze-a-skutecnosti\/","title":{"rendered":"Osah\u00e1v\u00e1n\u00ed bundy, sestry, jej\u00edho br\u00e1chy, iluze a skute\u010dnosti"},"content":{"rendered":"\n<p><strong><em>Turnovsk\u00e9 divadeln\u00ed studio: Dlouh\u00e1 cesta<\/em><\/strong><\/p>\n\n\n\n<p>Nerad formuluji interpretace, je to pochybn\u00e1 aktivita. Ale tentokr\u00e1t jedn\u00e9 pseudointerpretaci neodol\u00e1m: cel\u00fd tento the\u00e1tr mi p\u0159i\u0161el jako metafora hled\u00e1n\u00ed, ohled\u00e1v\u00e1n\u00ed, t\u00e1p\u00e1n\u00ed, \u0161m\u00e1trav\u00e9ho nach\u00e1zen\u00ed.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Slep\u00fd br\u00e1cha ohled\u00e1v\u00e1 prostor, sest\u0159ino oble\u010den\u00ed, sest\u0159inu bytost, Ovidia. Sestra ohled\u00e1v\u00e1 iluzorn\u00edho n\u00e1v\u0161t\u011bvn\u00edka. Kamar\u00e1dka v\u011bt\u0161inou nepot\u0159ebuje ohled\u00e1vat, proto\u017ee n\u011bjak tu\u0161\u00ed, co m\u00e1 d\u011blat, i kdy\u017e nem\u00e1 ohled\u00e1no. A kamar\u00e1dka m\u00e1 z\u00e1sadn\u00ed hodnotu: existuje proto, aby byla ohled\u00e1v\u00e1na. To ohled\u00e1v\u00e1n\u00ed n\u011bkolika bytost\u00ed a objekt\u016f je otev\u0159en\u00e9, vzru\u0161uj\u00edc\u00ed, up\u0159\u00edmn\u00e9, bez ambice n\u00e1siln\u011b n\u011bco naj\u00edt. Pro hledaj\u00edc\u00edho div\u00e1ka mnoho rozko\u0161e.<\/p>\n\n\n\n<p>Tak to je moje r\u00e1dobyinterpretace. D\u016fsledn\u00e1\ninterpretace na\u0161t\u011bst\u00ed nen\u00ed mo\u017en\u00e1, jak to u d\u00edlek sahaj\u00edc\u00edch hloub\u011bji chod\u00ed. Te\u010f\nu\u017e jen technick\u00e9 \u00favahy:<\/p>\n\n\n\n<p>Tereza v&nbsp;hlavn\u00ed roli byla obdivuhodn\u00e1.\nPromi\u0148te, \u017ee trapn\u011b up\u0159esn\u00edm: na sv\u016fj v\u011bk obdivuhodn\u00e1. \u0160\u00ed\u0159e hereck\u00fdch poloh,\nkter\u00fdmi n\u00e1s zahrne u\u017e v&nbsp;prvn\u00edm monodramatick\u00e9m vstupu, to bylo n\u011bco. Ale\nm\u00e1 to i h\u00e1\u010dek: ty polohy byly \u010dinohern\u011b stylizovan\u00e9 (\u010dili pon\u011bkud p\u0159edem p\u0159ipraven\u00e9,\nne \u00fapln\u011b otev\u0159en\u00e9, s&nbsp;omezen\u00fdm potenci\u00e1lem pro autenti\u010dnost), zat\u00edmco cel\u00e1\nkoncepce inscenace \u010dinohern\u00ed (na\u0161t\u011bst\u00ed) nen\u00ed. A ta \u201e\u010dinohernost\u201c (nebo n\u011bjak\u00fd\njin\u00fd parametr? \u2013 kdo to m\u00e1 v\u011bd\u011bt?!) zp\u016fsobuje, \u017ee tenhle propracovan\u00fd a\nmnohobarevn\u00fd projev je trochu (opravdu jen trochu) ned\u016fv\u011bryhodn\u00fd; sice\nobdivuhodn\u00fd, ale lehce ned\u016fv\u011bryhodn\u00fd. Pokud ne okam\u017eit\u011b, pak tedy v&nbsp;kontextu\npokra\u010dov\u00e1n\u00ed \u2013 um\u00edrn\u011bn\u011b formalistick\u00e9ho pokra\u010dov\u00e1n\u00ed, b\u011bhem n\u011bho\u017e vl\u00e1dne um\u00edrn\u011bnost\na p\u0159im\u011b\u0159en\u00e1 civilnost.<\/p>\n\n\n\n<p>Te\u010f n\u011bco k&nbsp;pravo\u00fahlosti tras na jevi\u0161ti: dobr\u00fd\nn\u00e1pad, za za\u010d\u00e1tku funguj\u00edc\u00ed, postupn\u011b se vy\u010derpav\u0161\u00ed. Mo\u017en\u00e1 by se p\u0159echody m\u011bly\nzrychlovat nebo n\u011bjak jinak, zaj\u00edmav\u011bji ne\u017e zrychlov\u00e1n\u00edm, postupn\u011b\ntransformovat.<\/p>\n\n\n\n<p>D\u00edky za lahodn\u00e9 experimentuj\u00edc\u00ed divadlo.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Turnovsk\u00e9 divadeln\u00ed studio: Dlouh\u00e1 cesta Nerad formuluji interpretace, je to pochybn\u00e1 aktivita. Ale tentokr\u00e1t jedn\u00e9 pseudointerpretaci neodol\u00e1m: cel\u00fd tento the\u00e1tr mi p\u0159i\u0161el jako metafora hled\u00e1n\u00ed, ohled\u00e1v\u00e1n\u00ed, t\u00e1p\u00e1n\u00ed, \u0161m\u00e1trav\u00e9ho nach\u00e1zen\u00ed.<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,4],"tags":[],"class_list":["post-341","post","type-post","status-publish","format-standard","hentry","category-2020-v-pisku","category-sirsi-uvahy"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=341"}],"version-history":[{"count":2,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/341\/revisions"}],"predecessor-version":[{"id":344,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/341\/revisions\/344"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}