{"id":655,"date":"2023-05-27T03:03:11","date_gmt":"2023-05-27T01:03:11","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=655"},"modified":"2023-05-27T03:03:46","modified_gmt":"2023-05-27T01:03:46","slug":"prespolni-vsevily-a-strakonice-cerna-slepice","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2023\/05\/27\/prespolni-vsevily-a-strakonice-cerna-slepice\/","title":{"rendered":"debata: P\u0159espoln\u00ed, V\u0161evily a Strakonice &#8211; \u010cern\u00e1 slepice"},"content":{"rendered":"\n<p>T\u017d: Popsal sv\u016fj div\u00e1ck\u00fd z\u00e1\u017eitek. V\u0161iml si hned b\u00edl\u00fdch vaj\u00ed\u010dek p\u0159ipraven\u00fdch pod \u017eidlemi. Sou\u010d\u00e1st ritu\u00e1lu \u201c\u010dern\u00e9 slepice\u201d. P\u0159estrojen\u00e9 divadlo z 19. stolet\u00ed. N\u00e1vrat do skanzenu.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Sv\u011bteln\u00fd proud odd\u011bluje prostor na dv\u011b kvality: postapokalyptick\u00e1 atmosf\u00e9ra a skanzen. Fascinace jednoduchost\u00ed chemick\u00fdch reakc\u00ed. Odst\u00ednil si pro sebe skanzenovost &#8211; folkl\u00f3r, zp\u00edv\u00e1n\u00ed. Touha po hled\u00e1n\u00ed recept\u00e1\u0159e, herb\u00e1\u0159e &#8211; dr\u017eel se lidovosti. P\u0159e\u0161leh\u00e1no v teatr\u00e1ln\u00edch efektech. Vol\u00e1 po odstran\u011bn\u00ed d\u00fdmostroj\u016f, efekt\u016f. Sp\u00ed\u0161e p\u016fsobilo jako performance ne\u017e divadlo. Vlastn\u00ed zku\u0161enost z chemick\u00e9 laborky na \u0161kole: touha za\u017e\u00edt v\u00fdbuchy, d\u00fdm, bez efekt\u016f. Lep\u0161\u00ed kontrast mezi skanzenovitost\u00ed\/teatr\u00e1lnost\u00ed a laborky. Chyb\u011bl \u010das na \u201cdokouk\u00e1n\u00ed se\u201d. Nerozhodnost, kam se to posouv\u00e1. Doslovnost. N\u011bkdy lep\u0161\u00ed ustoupit od ilustrativnosti a nechat to ve fat\u00e1ln\u00ed rigidit\u011b. Pro sc\u00e9nografa p\u0159eefektovan\u00e9.<\/p>\n\n\n\n<p>Doporu\u010den\u00ed: Tma nen\u00ed d\u016fle\u017eit\u00e1. Chce to konzistentn\u00ed sv\u011bteln\u00fd tok. Zapomenout na Black box. Experimentovat se sv\u011btly a nepou\u017e\u00edvat jen ta divadeln\u00ed. LED \u00fato\u010d\u00ed, nemaj\u00ed jemn\u00e9 p\u0159echody, jak tomu bylo u sv\u011btel d\u0159\u00edve.<\/p>\n\n\n\n<p>PV: Vyzdvihuje v\u00fdb\u011br textu. Kniha z 80. let. Kombinace folkloru a surrealismu. Dramaturgicky geni\u00e1ln\u00ed. Hlavn\u00edm t\u00e9matem, pochopil-li jej spr\u00e1vn\u011b: V\u011bda je novodob\u00e1 magie. Inscenace spojuje aktu\u00e1ln\u011b modern\u00ed A.I. a homunkuly. Mrz\u00ed ho, \u017ee se soubor vydal jen jedn\u00edm sm\u011brem. Pt\u00e1 se, zda t\u00fdr\u00e1n\u00ed publika sv\u011btlem a zvukem bylo \u00famysln\u00e9 \u010di nev\u011bdom\u00e9? Ostr\u00e9 b\u00edl\u00e9 sv\u011btlo a kou\u0159 vedlo k p\u00e1len\u00ed o\u010d\u00ed. St\u0159ihy ve zvukov\u00e9 stop\u011b divok\u00e9. Brut\u00e1ln\u00ed pauza a \u017e\u00e1dn\u00e9 fade-in\/out. Jestli v\u011bdom\u00e9, chce to podpo\u0159it.<\/p>\n\n\n\n<p>Soubor: Ne v\u011bdom\u00e9 t\u00fdr\u00e1n\u00ed. Technick\u00fd probl\u00e9m. LEDkov\u00fd panel neum\u00ed reagovat \u201cjemn\u011b\u201d.<\/p>\n\n\n\n<p>ZM: Zmi\u0148uje nev\u00fdhodu divadeln\u00edho s\u00e1lu pro tuto inscenaci. Sed\u011bla p\u0159\u00edli\u0161 bl\u00edzko. V\u011b\u0159\u00ed, \u017ee z v\u011bt\u0161\u00ed nadhled jakoby z vesm\u00edru by pomohl vn\u00edm\u00e1n\u00ed v\u0161eho na podlaze. R\u00e1mec s prohl\u00e1\u0161en\u00edm, \u017ee \u201cHra nen\u00ed pro d\u011bti,\u201d u n\u00ed sice vzbudila zv\u011bdavost, ale na konci sp\u00ed\u0161e utnul potlesk ne\u017e, \u017ee by inscenaci p\u0159inesl n\u011bco dal\u0161\u00edho.<\/p>\n\n\n\n<p>T\u017d: P\u0159ipom\u00edn\u00e1 mytologii dobr\u00fdch duch\u016f doma.<\/p>\n\n\n\n<p>PV: Inspirace pro dal\u0161\u00ed d\u00edl\u2026 Had krmen\u00fd ml\u00e9kem v \u0159\u00edmsk\u00e9 dom\u00e1cnosti. V k\u0159es\u0165ansk\u00fdch dob\u00e1ch p\u0159em\u011bna v dobr\u00e9ho ducha.<\/p>\n\n\n\n<p>VH: Experimentuj\u00edc\u00ed &#8211; konfrontace s div\u00e1kem. R\u00e1mec \u201cTo nen\u00ed pro d\u011bti\u201d nen\u00ed samotnou hrou obh\u00e1jen\u00fd. Konceptu\u00e1ln\u00ed ritu\u00e1l: konfrontace minulosti s budoucnost\u00ed, le\u010d ve \u0161patn\u011b zvolen\u00e9m prostoru. Vaj\u00ed\u010dka jako tajemstv\u00ed. Ned\u016fslednost ve vta\u017een\u00ed div\u00e1k\u016f do ritu\u00e1lu. Doporu\u010duje p\u0159en\u00e9st do netradi\u010dn\u00edho prostoru.<\/p>\n\n\n\n<p>Soubor: Prostor jsme neznali. Norm\u00e1ln\u011b hrajeme na jevi\u0161ti s lidmi. Prostorov\u00e1 omezen\u00ed vznikla kv\u016fli zah\u00e1jen\u00ed.<\/p>\n\n\n\n<p>LR: Vid\u00ed dva protich\u016fdn\u00e9 principy: pov\u011bre\u010dn\u00e1 magie x sou\u010dasn\u00e1 v\u011bda. V\u00fdvoj pozp\u00e1tku. Pro\u010d na jedn\u00e9 stran\u011b se nic nem\u011bn\u00ed a na druh\u00e9 to jde proti historick\u00e9mu v\u00fdvoji. Ve folkl\u00f3rn\u00ed \u010d\u00e1sti se st\u00e1le n\u011bco chyst\u00e1. Otev\u00edr\u00e1 o\u010dek\u00e1v\u00e1n\u00ed, kter\u00e1 se nestanou.<\/p>\n\n\n\n<p>Soubor: V r\u00e1mci retrospektivy se hled\u00e1, kdy se \u010dlov\u011bk setkal s v\u011bdou. Na druh\u00e9 stran\u011b \u017eensk\u00fd princip jako pomalej\u0161\u00ed, skoro nem\u011bnn\u00fd v\u00fdvoj.<\/p>\n\n\n\n<p>V \u017eensk\u00e9m se barv\u00ed vejce. Na konci maj\u00ed vzniknout p\u0159\u00edrodn\u00ed cestou vejce nabarven\u00e1. Jde o srovn\u00e1n\u00ed toho, \u017ee dok\u00e1\u017eeme na sebe napl\u00e1cat b\u011bhem 20 min spoustu v\u011bc\u00ed, ale p\u0159\u00edrodn\u00ed proces jeden trv\u00e1 dlouho.<\/p>\n\n\n\n<p>Pl\u00e9num: Kr\u00e1tk\u00e1 doba na obalen\u00ed vejce. Nezafungovalo, proto\u017ee vejce nebylo obarven\u00e9.<\/p>\n\n\n\n<p>Ot\u00e1zka: Pro\u010d to nen\u00ed pro d\u011bti?<\/p>\n\n\n\n<p>Soubor: Hled\u00e1me spr\u00e1vnou vyv\u00e1\u017eenost.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u017d: Popsal sv\u016fj div\u00e1ck\u00fd z\u00e1\u017eitek. V\u0161iml si hned b\u00edl\u00fdch vaj\u00ed\u010dek p\u0159ipraven\u00fdch pod \u017eidlemi. Sou\u010d\u00e1st ritu\u00e1lu \u201c\u010dern\u00e9 slepice\u201d. P\u0159estrojen\u00e9 divadlo z 19. stolet\u00ed. N\u00e1vrat do skanzenu.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-655","post","type-post","status-publish","format-standard","hentry","category-2023-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=655"}],"version-history":[{"count":2,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/655\/revisions"}],"predecessor-version":[{"id":657,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/655\/revisions\/657"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}