Soubor: Atmosf\u00e9ra ve ve\u010dern\u00edm p\u0159edstaven\u00ed lep\u0161\u00ed. Ale i dopoledn\u00ed si div\u00e1ci zp\u011btn\u011b \u201cdohled\u00e1vali\u201d.<\/p>\n\n\n\n\n\n\n\n
VH: Interpretovan\u00fd text. Dramaturgick\u00fd \u00favod k R.S. Princip rozst\u0159\u00edhan\u00e9ho okam\u017eiku: vypr\u00e1v\u011bn\u00e9 divadlo. Z mozaiky se stav\u00ed obraz. V\u00fdzva pro inscen\u00e1tory, jak s textem pracovat. Roztrhan\u00e9 herectv\u00ed. Dle reakc\u00ed div\u00e1k\u016f i z\u00e1bavn\u00e1 inscenace. Je t\u0159eba m\u00edt ale \u010derstvou hlavu, aby se dalo usledovat v\u0161echny linky. Adekv\u00e1tn\u011b p\u0159edveden\u00e9 herecky.<\/p>\n\n\n\n
Jak\u00e9 tajemstv\u00ed odkr\u00fdvaj\u00ed ale nebylo \u0159e\u010deno. VH nab\u00e1d\u00e1 k vy\u0159\u010den\u00ed. Nav\u00e1d\u00ed to div\u00e1ky k vn\u00edm\u00e1n\u00ed komedie, kdy\u017e nevid\u00ed tragedii.<\/p>\n\n\n\n
T\u017d: Dob\u0159e zafungoval v\u00fdb\u011br m\u00edsta. Styl kabaretn\u00ed. Ot\u00e1zka rozporu tragikomedie a komedie s trag\u00e9dii – fokus na kabaret? Trochu p\u0159emr\u0161t\u011bn\u00e9 do kabaretu.<\/p>\n\n\n\n
Soubor: Hraj\u00ed ne v kuk\u00e1tku, ale obr\u00e1cen\u011b.<\/p>\n\n\n\n
T\u017d: Zv\u00fdrazn\u011bn\u00e9 rty, \u010dernob\u00edl\u00e1 dispozice, kontrastn\u00ed, ale a\u017e p\u0159\u00edli\u0161. \u010cek\u00e1rna na leti\u0161ti, na n\u00e1dra\u017e\u00ed. P\u0159ipom\u00edn\u00e1 Nebe nad Berl\u00ednem. Tady v t\u00e9 inscenaci jde v\u00edc o vaudeville. Hodn\u011b v\u0161echno p\u0159edst\u00edran\u00e9, chyb\u00ed st\u0159\u00eddmost. Nechce to takov\u00e9 drama. Rozporuplnost, jak to funguje vizu\u00e1ln\u011b. Pro\u010d si tak zan\u00e1\u0161ej\u00ed sc\u00e9nu haramp\u00e1d\u00edm, kdy\u017e se ten prostor pak tak zdrc\u00e1v\u00e1? Dvoj\u00ed pocit.
Ujasnit si, kdy se pracuje s k\u00f3dem, se symbolem a s idolem (songy). Ka\u017ed\u00fd ten rozm\u011br m\u00e1 jin\u00fd vypr\u00e1v\u011bc\u00ed model. Idol m\u016f\u017ee n\u00e9st p\u0159\u00edb\u011bhovost, symbol d\u00e1v\u00e1 podn\u011bt k pochopen\u00ed na prvn\u00ed dobrou (hrn\u00ed\u010dek). P\u0159e\u010dm\u00e1r\u00e1v\u00e1n\u00ed hrnku ho pak zm\u011bn\u00ed – v (dopravn\u00ed) zna\u010dku. Kdy d\u00e1t \u00fatr\u017eky symbol\u016f\u2026 velk\u00e1 gesta, kter\u00e1 funguj\u00ed jako dopravn\u00ed zna\u010dka vedou ke ztr\u00e1t\u011b tajemstv\u00ed. Ur\u010dit si ve t\u0159ech vypr\u00e1v\u011bc\u00edch rovin\u00e1ch, co je co.<\/p>\n\n\n\n
ZM: Kvitovala zpracov\u00e1n\u00ed \u017eenskou optikou. Naprost\u00e1 volnost od autora. M\u016f\u017ee to b\u00fdt jak skromn\u011bj\u0161\u00ed, tak i spektakul\u00e1rn\u011bj\u0161\u00ed. N\u00e1ro\u010dn\u00e9 texty, ale d\u00e1vaj\u00ed velkou svobodu, kterou soubor vyu\u017eil. Kr\u00e1sn\u00e9 pocity z toho, \u017ee na za\u010d\u00e1tku byla trochu nejistota a postupn\u011b nab\u00fdvala souhra a jistota mezi sebou. Obecn\u011b lidsk\u00e1 rovina – smutek, radost. Co se c\u00edt\u00ed v okam\u017eiku. Zachycen\u00ed toho, \u017ee jeden pohled m\u016f\u017ee ovlivnit cel\u00fd \u017eivot. P\u0159en\u00e9st d\u011bn\u00ed se div\u00e1k\u016fm da\u0159ilo. Viditeln\u00e1 radost z hran\u00ed textu. P\u0159\u00e1la si lep\u0161\u00ed otisk tlapky. Obrovsk\u00e1 hereck\u00e1 a lidsk\u00e1 zku\u0161enost pro v\u0161echny z\u00fa\u010dastn\u011bn\u00e9.<\/p>\n\n\n\n
PV: Brzy byl ohledn\u011b stylu doma. P\u0159ekvapen, \u017ee hran\u00edm jej zaj\u00edmaj\u00ed mnohem v\u00edce herci ne\u017e ten text. Pojmenov\u00e1v\u00e1 text jako retro poetiku a vzpom\u00edn\u00e1 na n\u011bmeck\u00fd existencialismus. Postdramatika vyb\u00edz\u00ed k p\u0159edstav\u011b n\u011b\u010deho nov\u00e9ho, ov\u0161em toto bylo sp\u00ed\u0161e vzpom\u00edn\u00e1n\u00ed.<\/p>\n\n\n\n
Touha vid\u011bt se souborem n\u011bco m\u00e9n\u011b intelektu\u00e1lsk\u00e9ho. V\u00edc kabaretu a m\u00e9n\u011b \u201chuhuhu\u201d (\u201cte\u010f si \u0159ekneme n\u011bco z\u00e1sadn\u00edho\u201d).<\/p>\n\n\n\n
VH: Oce\u0148uje formu nalezen\u00ed komer\u010dn\u00ed \u00fasp\u011b\u0161nosti. Probl\u00e9m s \u010dern\u00fdmi kubusy.<\/p>\n\n\n\n
Pl\u00e9num: T\u0159ikr\u00e1t vid\u011bno, poka\u017ed\u00e9 jinde. Hlub\u0161\u00ed a \u0161ir\u0161\u00ed s\u00e1l sv\u011bd\u010d\u00ed interpretaci. Tady minim\u00e1ln\u00ed pohyb here\u010dky omezoval. Nevhodn\u00fd prostor pro tuto inscenaci. Umocn\u011bn\u00ed p\u0159edstaven\u00ed. Daleko mraziv\u011bj\u0161\u00ed a temn\u011bj\u0161\u00ed.<\/p>\n\n\n\n
LR: Sc\u00e9nografie kostky a kufry byly nav\u00edc. S\u00edla inscenace tkv\u00ed v herectv\u00ed. Nic se s kufry ani se \u0161atn\u00edkem nestalo, tak\u017ee jsou zbyte\u010dn\u00ed. Nemysl\u00ed si, \u017ee byl z\u00e1m\u011brem kabaret. Sp\u00ed\u0161e poloha grotesknosti – v\u011bci z\u00e1rove\u0148 sm\u011b\u0161n\u00e9 i hr\u016fzostra\u0161n\u00e9.<\/p>\n\n\n\n
Soubor: Prvn\u011b se n\u00e1m lidi sm\u00e1li tady. Soubor tou\u017eil uk\u00e1zat oslavu \u017eivota. O\u0161ah\u00e1vaj\u00ed si to. Tvar je t\u011b\u017ek\u00fd. Poka\u017ed\u00e9 to vyjde jinak. Sm\u00edchopl\u00e1\u010d. Odleh\u010dit t\u011b\u017ekoton\u00e1\u017enost. Odstranit patos.<\/p>\n\n\n\n
Pl\u00e9num: Autorka diplomov\u00e9 pr\u00e1ce o Schimmelpfennigovi ocenila brechtovsk\u00fd p\u0159\u00edstup k l\u00e1tce.<\/p>\n\n\n\n
POM: Nejzaj\u00edmav\u011bj\u0161\u00ed div\u00e1cky je to, co mezi sebou komunikuj\u00ed lidi na jevi\u0161ti – pro\u017eit\u00ed intenzivn\u00ed komunikace. Ostatn\u00ed je pak \u201cle\u0161en\u00ed\u201d, po kter\u00e9m do\u0161ly here\u010dky do tohoto tvaru. V tomto p\u0159\u00edpad\u011b komunikace s hledi\u0161t\u011bm nastala.<\/p>\n","protected":false},"excerpt":{"rendered":"
Soubor: Atmosf\u00e9ra ve ve\u010dern\u00edm p\u0159edstaven\u00ed lep\u0161\u00ed. Ale i dopoledn\u00ed si div\u00e1ci zp\u011btn\u011b \u201cdohled\u00e1vali\u201d.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51],"tags":[],"class_list":["post-658","post","type-post","status-publish","format-standard","hentry","category-2023-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=658"}],"version-history":[{"count":2,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/658\/revisions"}],"predecessor-version":[{"id":662,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/658\/revisions\/662"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}