{"id":702,"date":"2023-05-29T11:40:45","date_gmt":"2023-05-29T09:40:45","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=702"},"modified":"2023-05-29T11:40:45","modified_gmt":"2023-05-29T09:40:45","slug":"debata-invisible-theatre-kalawatsch-r-a-j-utlacovani-nebo-intervence","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2023\/05\/29\/debata-invisible-theatre-kalawatsch-r-a-j-utlacovani-nebo-intervence\/","title":{"rendered":"debata: Invisible theatre Kalawatsch R.A.J. &#8211; Utla\u010dov\u00e1n\u00ed nebo intervence"},"content":{"rendered":"\n<p>T\u017d: Kontext divadla utla\u010dovan\u00fdch Augusta Boala &#8211; aktivismus, politick\u00e9 um\u011bn\u00ed, meditace. Etapy, metodika skrze divadlo f\u00f3rum, jak nakl\u00e1dat s div\u00e1ky. 60. l\u00e9ta 20. stolet\u00ed. T\u00e9mata soci\u00e1ln\u00edho despektu vl\u00e1dy. Vstupoval do v\u011bzen\u00ed, do t\u00e9mat utla\u010dovan\u00fdch \u017een. \u201cHr\u00e1lo se\u201d ve favel\u00e1ch, na ulic\u00edch, na n\u00e1m\u011bst\u00edch, tj. v netradi\u010dn\u00edch prost\u0159ed\u00edch. S\u00e1m pracuje s Boalem v r\u00e1mci site specific divadla.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>K p\u0159edstaven\u00ed velk\u00e9 o\u010dek\u00e1v\u00e1n\u00ed. \u00da\u010dast na velk\u00e9m ritu\u00e1lu a t\u00e9matu, kter\u00e9 ve spole\u010dnosti vis\u00ed. Pro aktivizaci publika je t\u0159eba zm\u011bnit roli i performera, kter\u00fd se st\u00e1v\u00e1 medi\u00e1torem, koment\u00e1torem. Technika pr\u00e1ce s div\u00e1kem nefungovala \u00fapln\u011b. Nebylo jasn\u00e9, co je pozv\u00e1n\u00ed ke stolu. Role maj\u00ed oba charaktery, nap\u0159. L\u00e1ska m\u00e1 v sob\u011b i egoistickou sebel\u00e1sku. T\u00e9ma je d\u016fle\u017eit\u00e9 k otev\u0159en\u00ed ve\u0159ejn\u00e9 diskuse, b\u00fdt \u00fa\u010dastn\u00fd. Je podstatn\u00e9 neb\u00e1t se ukazovat v \u010desk\u00e9m divadle podobn\u00e1 p\u0159edstaven\u00ed. V\u00fdzva pro div\u00e1ky nefungovala.<\/p>\n\n\n\n<p>Je mo\u017en\u00fd, \u017ee mezi divadeln\u00edky nastal z\u00e1pas: defenzivy vs. p\u0159id\u00e1n\u00ed se.<\/p>\n\n\n\n<p>VH: Stanoven\u00ed hranic.<\/p>\n\n\n\n<p>Pl\u00e9num: Srozumitelnost herc\u016f st\u011b\u017eovala jejich nesrozumitelnost. T\u00e9ma sice sympatick\u00e9, ale pocit manipulace. \u017deny autentick\u00e9. U div\u00e1k\u016f pocit nep\u0159\u00edjemn\u00e9ho pocitu, \u017ee se c\u00edt\u00ed vin\u00ed a bezv\u00fdznamn\u00ed, na m\u00edsto vyzv\u00e1n\u00ed k diskusi. Chyb\u011bj\u00edc\u00ed mo\u017enost ztoto\u017enit se s n\u011bjakou z postav. Zmaten\u00ed z toho, co se chce po div\u00e1c\u00edch. Poru\u0161ov\u00e1n\u00ed vlastn\u00edch pravidel. Nejistota, kdy co ud\u011blat a kdy ne. Vyb\u00edr\u00e1n\u00ed postav Utla\u010dovatelem. Nebylo reagov\u00e1no na postavy. Obava o slepou performerku, kter\u00e1 to \u201cjen\u201d hr\u00e1la, rozhodila jednu diva\u010dku, kter\u00e1 se zapojila.<\/p>\n\n\n\n<p>LR: Jako spole\u010densk\u00fd akt obdiv. Ot\u00e1zka mentality odm\u00edt\u00e1n\u00ed, zdr\u017eenlivosti v\u016f\u010di \u010din\u016fm. Z\u00e1drhel: p\u0159\u00edmo\u010dar\u00e9 v\u00fdzvy. Naj\u00edt sofistikovan\u011bj\u0161\u00ed cestu, aby \u0161la zevnit\u0159 m\u00edsto zvenku. Z\u00e1le\u017e\u00ed na rozvr\u017een\u00ed postav. Tady alegorie. Mus\u00ed b\u00fdt d\u016fsledn\u00ed. Agent sv\u00e9 vlastnosti. T\u00edm ur\u010dovat, co je \u00fakolem div\u00e1k\u016f.<\/p>\n\n\n\n<p>MZ: Nesm\u00edrn\u011b v\u00fdrazn\u00e9. Chyb\u011bj\u00edc\u00ed organizace a roz\u010dlen\u011bn\u00ed d\u011bje.<\/p>\n\n\n\n<p>PV: Cht\u011bl mluvit o alegorii, personifikaci a experimentu. Debatu p\u0159esouv\u00e1 na pozd\u011bji. Vidli\u010dka: PP &#8211; pozn\u00e1n\u00ed nebo propaganda. Rozhodnout se pro v\u00fdstup z inscenace. Pozn\u00e1n\u00ed b\u00fdv\u00e1 daleko z\u00e1bavn\u011bj\u0161\u00ed.<\/p>\n\n\n\n<p>Soubor: Zku\u0161enosti z workshop\u016f na Ukrajin\u011b. Ne\u0161lo o divadlo f\u00f3rum. Uk\u00e1zalo to rozpolcenou situaci, spole\u010dnost. Zv\u011bdav\u00ed, co z toho bude. Nebylo to nazkou\u0161en\u00e9. Frank Weisse je vd\u011b\u010dn\u00fd za z\u00e1\u017eitky, a \u017ee div\u00e1ci z\u016fstali a\u017e do konce.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-amber-background-color has-background\">Vysv\u011btlivky: PV &#8211; Petr V\u00e1\u0161a, T\u017d &#8211; Tom\u00e1\u0161 \u017di\u017eka, ZM &#8211; Zoja Mikotov\u00e1, VH &#8211; Vladim\u00edr Hulec, LR &#8211; Lud\u011bk Richter, POM &#8211; Petr Odo Mach\u00e1\u010dek, Pl\u00e9num &#8211; v\u0161ehochu\u0165 div\u00e1k\u016f, Soubor &#8211; t\u00fdm dan\u00e9 inscenace<\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u017d: Kontext divadla utla\u010dovan\u00fdch Augusta Boala &#8211; aktivismus, politick\u00e9 um\u011bn\u00ed, meditace. Etapy, metodika skrze divadlo f\u00f3rum, jak nakl\u00e1dat s div\u00e1ky. 60. l\u00e9ta 20. stolet\u00ed. T\u00e9mata soci\u00e1ln\u00edho despektu vl\u00e1dy. Vstupoval do v\u011bzen\u00ed, do t\u00e9mat utla\u010dovan\u00fdch \u017een. \u201cHr\u00e1lo se\u201d ve favel\u00e1ch, na &hellip;<\/p>\n<p class=\"read-more\"><a href=\"https:\/\/blog.sramkuvpisek.cz\/index.php\/2023\/05\/29\/debata-invisible-theatre-kalawatsch-r-a-j-utlacovani-nebo-intervence\/\">\u010c\u00edst d\u00e1le &raquo;<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,46],"tags":[],"class_list":["post-702","post","type-post","status-publish","format-standard","hentry","category-2023-debaty-s-lektory","category-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/702","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=702"}],"version-history":[{"count":3,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/702\/revisions"}],"predecessor-version":[{"id":729,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/702\/revisions\/729"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=702"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=702"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}