{"id":706,"date":"2023-05-29T11:34:36","date_gmt":"2023-05-29T09:34:36","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=706"},"modified":"2023-05-29T11:39:13","modified_gmt":"2023-05-29T09:39:13","slug":"debata-mameni-brno-richard-iii","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2023\/05\/29\/debata-mameni-brno-richard-iii\/","title":{"rendered":"debata: M\u00e1men\u00ed, Brno – Richard III."},"content":{"rendered":"\n

Pl\u00e9num: Kvituje kompozici v prostoru. T\u017d: Kontext divadla. Site-specific divadlo (akcentov\u00e1n\u00ed prostoru) a imerzivn\u00ed. D\u016fle\u017eit\u00fd pr\u016fzkum m\u00edsta. Reinterpretace prostoru. Pohyb a modelace publika. Krev, pr\u016fvan, n\u00e1v\u0161t\u011bvn\u00edci – pojmenov\u00e1n\u00ed publika. Limitace velikostmi prostoru – za\u010d\u00edt p\u0159i pr\u016fzkumu od nejmen\u0161\u00edch m\u00edst. Proud\u011bn\u00ed se nech\u00e1v\u00e1 \u010d\u00e1ste\u010dn\u011b na div\u00e1kovi. \u010casto nen\u00ed t\u0159eba pr\u016fvodce.<\/p>\n\n\n\n\n\n\n\n

Tady divadlo vyu\u017eit\u00e9 jako industrie. Glob\u00e1ln\u00ed divadlo sv\u011bta v\u010d. propadla d\u011bjin pro Richarda III. je spr\u00e1vn\u00fd. P\u0159\u00edli\u0161 mnoho lid\u00ed zpomaluje p\u0159esuny, nastane probl\u00e9m toku. P\u0159est\u00e1v\u00e1 inscenovan\u00e1 proch\u00e1zka. P\u0159\u00edstup k div\u00e1kovi – omezit na po\u010det lid\u00ed. Podivnosti: choreografie m\u00edsta a z\u00e1m\u011bru na sebe nenavazovala. Vy\u0159e\u0161eno pouze dekorativn\u00edmi my\u0161kami. Zbyte\u010dn\u00e9 dekorace. Lep\u0161\u00ed zvuk. Dekorace jsou p\u0159\u00edli\u0161 inscena\u010dn\u011b lacin\u00e9. Je\u0161t\u011b je mo\u017en\u00e9 kalkulovat s pr\u016fchodnost\u00ed – na ur\u010ditou dispozici se vl\u00e1dne ur\u010ditou kapacitou lid\u00ed, tj. nech\u00e1vat na ur\u010dit\u00fdch stanovi\u0161t\u00edch a nechat proudit div\u00e1ky sami.<\/p>\n\n\n\n

Herectv\u00ed neadekv\u00e1tn\u00ed ur\u010dit\u00fdm proporc\u00edm prostoru – akusticky. Hlas se nem\u011bnil, a\u0165 se pracovalo s div\u00e1ky na bl\u00edzko nebo na d\u00e1lku. Akustick\u00e1 prek\u00e9rie a nesn\u00e1ze. Vol\u00e1 i po minimalizov\u00e1n\u00ed gest.<\/p>\n\n\n\n

PV: Zobec\u0148uje. P\u0159i pl\u00e1nov\u00e1n\u00ed akc\u00ed a performence na ulic\u00edch doch\u00e1z\u00ed \u010dasto k p\u0159ekombinov\u00e1n\u00ed, kdy se zapom\u00edn\u00e1 na publikum, kde stoj\u00ed. I v ter\u00e9nu je nutn\u00e9 myslet na komfort div\u00e1ka.<\/p>\n\n\n\n

Velk\u00fd z\u00e1\u017eitek, ale s\u00e1m mnoho nevid\u011bl. Hlavn\u011b minul loutky. Klaustrofobn\u00ed pocity, mo\u017en\u00e1 mu\u010den\u00ed skrze Richarda. Ztr\u00e1ta pozornosti div\u00e1ka.<\/p>\n\n\n\n

Filosofii – kvituje. Nem\u011blo by z toho vych\u00e1zet ale zjednodu\u0161en\u00ed, \u017ee b\u00edd\u00e1ci jsou produktem sv\u00fdch rodi\u010d\u016f. T\u00e9ma zla a zl\u00e9 osobnosti.<\/p>\n\n\n\n

ZM: Obdiv ke schopnosti adaptovat se tak rychle na nov\u00e9 prost\u0159ed\u00ed. Nesm\u00edrn\u011b p\u0159itahuj\u00edc\u00ed od chv\u00edle, kdy pr\u016fvodkyn\u011b stoj\u00ed na sloupku. Pro\u017eila si to dob\u0159e, proto\u017ee chodila rychle a vychyt\u00e1vala m\u00edsta tak, aby vid\u011bla. Loutky jsou do sb\u00edrky. Zaj\u00edmav\u00e1 loutkov\u00e1 ouvertura, ale na festivalu v \u010dasov\u00e9m presu p\u0159ipadala jako cosi nav\u00edc. Diskutabiln\u00ed nakolik nechat \u010dist\u00fd p\u0159\u00edb\u011bh a na kolik p\u0159id\u00e1vat odkazy na sou\u010dasnost. N\u00e1dhern\u00e9 hereck\u00e9 v\u00fdkony v\u0161ech.<\/p>\n\n\n\n

T\u017d: Nechce podce\u0148ovat pr\u016fvodcov\u00e1n\u00ed. Hran\u00ed si s loutkami, kter\u00e9 jsou zmen\u0161en\u00e9 makety prostoru je na pov\u00e1\u017eenou. Prostor nab\u00edz\u00ed i jin\u00e9 formy animace s\u00e1m o sob\u011b.<\/p>\n\n\n\n

VH: Nejen mo\u017enost cesty a prov\u00e1zen\u00ed p\u0159\u00edb\u011bhem. Instalace v divadle. Prostor nab\u00edz\u00ed i mo\u017enost imerze div\u00e1ka, kdy si mus\u00ed div\u00e1k naj\u00edt p\u0159\u00edb\u011bh s\u00e1m, to mu p\u0159i\u0161lo nevyu\u017eit\u00e9. P\u0159i\u0161li bychom sice o vynikaj\u00edc\u00ed pr\u016fvodkyni, ale mo\u017en\u00e1 by se inscenace posunula k trend\u016fm dne\u0161ka.<\/p>\n\n\n\n

ZM: Nechce se pr\u016fvodkyn\u011b vzd\u00e1t. Zd\u016fvod\u0148uje si jej\u00ed existenci naivistickou linkou, kterou v inscenac\u00ed c\u00edt\u00ed, a kter\u00e1 je mo\u017en\u00e1 t\u00e9matem cel\u00e9 situace. A Jel\u00ednkovskou poetiku.<\/p>\n\n\n\n

Vysv\u011btlivky: PV – Petr V\u00e1\u0161a, T\u017d – Tom\u00e1\u0161 \u017di\u017eka, ZM – Zoja Mikotov\u00e1, VH – Vladim\u00edr Hulec, LR – Lud\u011bk Richter, POM – Petr Odo Mach\u00e1\u010dek, Pl\u00e9num – v\u0161ehochu\u0165 div\u00e1k\u016f, Soubor – t\u00fdm dan\u00e9 inscenace<\/p>\n","protected":false},"excerpt":{"rendered":"

Pl\u00e9num: Kvituje kompozici v prostoru. T\u017d: Kontext divadla. Site-specific divadlo (akcentov\u00e1n\u00ed prostoru) a imerzivn\u00ed. D\u016fle\u017eit\u00fd pr\u016fzkum m\u00edsta. Reinterpretace prostoru. Pohyb a modelace publika. Krev, pr\u016fvan, n\u00e1v\u0161t\u011bvn\u00edci – pojmenov\u00e1n\u00ed publika. Limitace velikostmi prostoru – za\u010d\u00edt p\u0159i pr\u016fzkumu od nejmen\u0161\u00edch m\u00edst. Proud\u011bn\u00ed …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[51,46],"tags":[56],"class_list":["post-706","post","type-post","status-publish","format-standard","hentry","category-2023-debaty-s-lektory","category-debaty-s-lektory","tag-mameni-brno"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=706"}],"version-history":[{"count":4,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/706\/revisions"}],"predecessor-version":[{"id":728,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/706\/revisions\/728"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}