{"id":871,"date":"2024-06-01T02:55:36","date_gmt":"2024-06-01T00:55:36","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=871"},"modified":"2024-06-01T02:56:07","modified_gmt":"2024-06-01T00:56:07","slug":"debata-divadlo-drejg-nachod-juani-y","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/01\/debata-divadlo-drejg-nachod-juani-y\/","title":{"rendered":"debata: Divadlo Drejg, N\u00e1chod: Juani\/y"},"content":{"rendered":"\n<p><strong>Debatu op\u011bt za\u010dali div\u00e1ci.<\/strong><\/p>\n\n\n\n<p><strong>Div\u00e1ci:<\/strong><\/p>\n\n\n\n<p>M\u011bli pocit, \u017ee soubor \u010dek\u00e1, \u017ee si na z\u00e1v\u011br sednou na voln\u00e9 \u017eidle. Kdy\u017e si sedli, bylo t\u011b\u017ek\u00e9 vst\u00e1t a odej\u00edt. A\u017e chu\u0165 na cigaretu n\u011bkter\u00e9 p\u0159im\u011bla k odchodu.<\/p>\n\n\n\n<p>C\u00edlem asi bylo vyvolat emoce. Forma mu p\u0159i\u0161la pr\u00e1zdn\u00e1, nepromlouvala. Sna\u017eil se naj\u00edt c\u00edl a motivaci, odpov\u011b\u010f na ot\u00e1zku, zda se m\u00e1 na\u0161tvat. Nem\u00e1 r\u00e1d repetice, kdy\u017e je tam hodn\u011b lid\u00ed, bud\u00ed to v n\u011bm hr\u016fzu z o\u010dek\u00e1v\u00e1n\u00ed opakuj\u00edc\u00edch se cykl\u016f text\u016f. M\u00e1lo se d\u011bje, jen se stane drobnost. Zaj\u00edm\u00e1 ho, co t\u00edm cht\u011bli \u0159\u00edct.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Kameraman ode\u0161el na diskusi asi po hodin\u011b. Chyb\u011bla mu up\u0159\u00edmn\u011bj\u0161\u00ed v\u00fdpov\u011b\u010f od performer\u016f.<\/p>\n\n\n\n<p>Z\u00e1kladn\u00ed fabule Dona Juana k div\u00e1k\u016fm pro\u0161la, ale p\u0159es formu nedo\u0161la emocionalita. Mo\u017en\u00e1 probl\u00e9m prostoru. Kladn\u011b hodnot\u00ed dlouh\u00e9 dr\u017een\u00ed koncentrace. Kaj\u00edcn\u00e9 sezen\u00ed. V\u011bd\u011bl, \u017ee se od n\u011bj o\u010dek\u00e1v\u00e1, \u017ee je \u010dlen skupiny, aby si tam sedl, ale nem\u011bl k tomu chu\u0165. Hledal konec a setrv\u00e1val.<\/p>\n\n\n\n<p><strong>LR:<\/strong> T\u011b\u017ekop\u00e1dn\u00e9, proto\u017ee to nem\u00e1 dramaturgickou stavbu. M\u00e1 jistou stavbu a chronologii s Juanem, ale ta zanik\u00e1 v monot\u00f3nn\u00edm bloku textu. Nemus\u00ed se v\u0161ichni vyj\u00e1d\u0159it ke v\u0161emu. Uv\u011bdomit si, kde je to naho\u0159e, kde dole, propracovat temporytmus a v\u00fdznam. Pr\u00e1ce s psychikou div\u00e1ka.<\/p>\n\n\n\n<p><strong>Lekto\u0159i:<\/strong><\/p>\n\n\n\n<p><strong>T\u017d:<\/strong> M\u00e1lem si sedl do hrac\u00edho prostoru, ale konvence mu nedovolila. Vzpom\u00edn\u00e1 na minimalistick\u00e9 festivaly, kde se l\u00e1mou n\u011bkolik hodin v\u011btvi\u010dky. Nejde o to, kdy se div\u00e1ci rozhodnout odej\u00edt, ale o jejich zaujet\u00ed. Snaha propojit kon\u00e1n\u00ed, um\u011bn\u00ed, akce, happening. Z\u00e1v\u011br Juani\/y je d\u016fsledn\u00fd, ale n\u011bkter\u00e9 situace p\u0159edt\u00edm ne. Ani up\u0159\u00edmnost. My\u0161lenka, \u017ee to ned\u011blaj\u00ed pro dobro re\u017eis\u00e9ra, ale kolektiv. Zasko\u010den hmotou &#8211; po\u010dtem lid\u00ed, tv\u00e1\u0159emi, pohledy a prolnut\u00edm s charakterem Dona Juana. V antick\u00e9m vid\u011bn\u00ed vznikl ch\u00f3r. Chyb\u00ed hlavn\u00ed postavy, jen si je p\u0159edstavujeme. Na happening je to ale m\u00e1lo. Na po\u010d\u00e1tku to vypad\u00e1 jako skupinov\u00e1 psychoterapie. Labyrinty, duety, na div\u00e1ck\u00fd post\u0159eh zaj\u00edmav\u00e9. A postupn\u011b se nazna\u010dovalo div\u00e1k\u016fm, aby se stali sou\u010d\u00e1st\u00ed. Neuhl\u00eddala se ale opravdovost. Ov\u0161em i tak je m\u00edru spokojen\u00fd. Nejv\u00edce pravdy je v z\u00e1v\u011bru &#8211; sugestivn\u00ed. Existuje bublina divadeln\u00edch instalac\u00ed &#8211; bez sc\u00e9nizovan\u00e9 linky. \u0160t\u011bp\u00e1n Macura pracuje s komunitou. V\u00fdzva a nov\u00fd tvar pro tuto p\u0159ehl\u00eddku. Pestrost. Vytvo\u0159it pocit, \u017ee je div\u00e1k pozvan\u00fd do ud\u00e1losti.<\/p>\n\n\n\n<p><strong>V\u010c:<\/strong> Oce\u0148uje p\u0159edstaven\u00ed. Bavila ji masa. Nevid\u011bla dlouho tolik lid\u00ed na jevi\u0161ti, je to z\u00e1bavn\u00e9. Mlad\u00ed lid\u00e9. M\u016f\u017ee se zd\u00e1t, \u017ee jsou s n\u00e1mi, mluv\u00ed s n\u00e1mi. Oce\u0148uje m\u00edru nedokonalosti a odvahu introvert\u016f, na kter\u00fdch bylo vid\u011bt, \u017ee nen\u00ed pro n\u011b p\u0159\u00edjemn\u00e9 tam b\u00fdt. Dr\u017eela palce t\u011bm, pro kter\u00e9 to byl evidentn\u011b stres. Sebejist\u00fd Juan &#8211; v odvaze a zmu\u017eilosti, jak se vybi\u010dovali v\u0161ichni spole\u010dnou akc\u00ed. Nebyl j\u00ed konec komfortn\u00ed. Cht\u011bla tleskat na konci. V kontextu v\u00e1lky ji dnes doj\u00edm\u00e1 skupina, kter\u00e1 existuje v prostoru a d\u00e1v\u00e1 nahl\u00e9dnout do toho, jakou s\u00edlu m\u00e1 skupina sama o sob\u011b. Umo\u017e\u0148uje div\u00e1kovi pozorovat, jak tato skupina funguje. And\u011blsk\u00e1 tv\u016fr\u010d\u00ed symbi\u00f3za.<\/p>\n\n\n\n<p><strong>PV:<\/strong> Ka\u017ed\u00fd divadeln\u00ed efekt se po \u010dase okouk\u00e1. Otev\u0159en\u00fd konec DRED\u016f vloni p\u016fsobil trochu jinak. Drejg sympati\u010dt\u00ed, ale na inscenaci mu to p\u0159ijde \u201em\u00e1lo\u201c. Nem\u011bl tendenci tam z\u016fstat d\u00e9le. Dialog s archetyp\u00e1ln\u00edmi t\u00e9maty &#8211; prol\u00edn\u00e1n\u00ed v\u0161ech dne\u0161n\u00edch p\u0159edstaven\u00ed. Z hlediska formy p\u016fsobilo v\u00edce mechanicky, t\u011b\u017ekop\u00e1dn\u011b. Napadalo ho, \u017ee by do\u0161lo k naru\u0161en\u00ed o\u010dek\u00e1v\u00e1n\u00ed. Redefinov\u00e1n\u00ed pohlav\u00ed. T\u00e9ma Dona Juana &#8211; erotick\u00e9 vztahy, mocensk\u00fd podtext. Zaplaveni sou\u010dasnou debatou. Tato diskuse se vede dlouho. Dohromady se zpov\u011bdn\u00edm t\u00e9matem: h\u0159\u00edchu a juanovsk\u00e9 t\u00e9ma v sou\u010dasnosti p\u0159es sympatick\u00fd a up\u0159\u00edmn\u00fd v\u00fdraz. Hlavn\u00ed nev\u00fdhoda: v\u011bt\u0161\u00ed o\u010dek\u00e1v\u00e1n\u00ed. R\u00e1d by zklaman\u00e1 o\u010dek\u00e1v\u00e1n\u00ed.<\/p>\n\n\n\n<p><strong>VH: <\/strong>Tento typ divadla je mu bl\u00edzk\u00fd. Moc se mu l\u00edbilo. Vysv\u011btluje genezi \u0160t\u011bp\u00e1na Macury &#8211; pat\u0159il k prvn\u00ed inkarnaci DREDU a vychoval n\u011bkolik Geissler\u016f. Pedagog na gymn\u00e1ziu v N\u00e1chod\u011b. Zpracov\u00e1n\u00ed n\u011bkolika p\u0159eklad\u016f. Div\u00e1k se mus\u00ed konfrontovat s happeningem. Divadeln\u00ed expozice pln\u00e1 chyb. Bere to jako postoj &#8211; ka\u017ed\u00fd dostane prostor se vyj\u00e1d\u0159it. Juan &#8211; Juana. Zmi\u0148uje Ivana Vysko\u010dila &#8211; hru. Konec na Audimaforu v Hradci byl drzej\u0161\u00ed a syrov\u011bj\u0161\u00ed: pr\u00e1zdn\u00e9 \u017eidle, vypnut\u00e1 hudba. \u017didle se zaplnily a div\u00e1ci se za\u010dali zpov\u00eddat.<\/p>\n\n\n\n<p><strong>ZM:<\/strong> Mnoha\u010detnost &#8211; rozpojov\u00e1n\u00ed a spojov\u00e1n\u00ed spole\u010dnosti. Nad\u011bje.<\/p>\n\n\n\n<p><strong>Soubor (\u0160t\u011bp\u00e1n Macura)<\/strong>:<\/p>\n\n\n\n<p>D\u011bkuje za v\u0161\u00edm\u00e1n\u00ed si d\u016fle\u017eit\u00fdch v\u011bc\u00ed. Nenakoukan\u00fd typ divadla. Je si v\u011bdom limit\u016f. Divadlo je sp\u00ed\u0161e liter\u00e1rn\u00ed. Fascinace textem. Demokratick\u00e9. V\u00ed, \u017ee by to bylo mo\u017en\u00e9 usp\u00ed\u0161it, ale chce lidem d\u00e1t prostor. Prvn\u00ed pr\u00e1ce s tolika lidmi. Divadeln\u00ed tvar trp\u00ed, ale vyj\u00e1d\u0159en\u00ed v\u0161ech je d\u016fle\u017eit\u011bj\u0161\u00ed. Bav\u00ed se mladou energi\u00ed, masou. Ob\u010das t\u011b\u017eko zkrotiteln\u00e9. 22 lid\u00ed na jevi\u0161ti fascinuj\u00edc\u00ed v\u011bc. Bav\u00ed ho, \u017ee si um\u00ed vz\u00e1jemn\u011b pomoci. Konec &#8211; te\u010dku na\u0161li a\u017e na n\u011bkter\u00e9 z posledn\u00edch zkou\u0161ek. Po t\u0159et\u00ed se hr\u00e1lo. Po ka\u017ed\u00e9 je to jin\u00e9. Osobn\u00ed meditativn\u00ed chv\u00edle: v\u00fdplach Mozartem. Otev\u0159en\u00e1 p\u0159\u00edle\u017eitost, ke kter\u00e9 m\u016f\u017ee doj\u00edt.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-amber-background-color has-background\">Vysv\u011btlivky: PV &#8211; Petr V\u00e1\u0161a, T\u017d &#8211; Tom\u00e1\u0161 \u017di\u017eka, V\u010c &#8211; Viktorie \u010cerm\u00e1kov\u00e1, VH &#8211; Vladim\u00edr Hulec, LR &#8211; Lud\u011bk Richter, ZM &#8211; Zoja Mikotov\u00e1. Pl\u00e9num &#8211; v\u0161ehochu\u0165 div\u00e1k\u016f, Soubor &#8211; t\u00fdm dan\u00e9 inscenace.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Debatu op\u011bt za\u010dali div\u00e1ci. Div\u00e1ci: M\u011bli pocit, \u017ee soubor \u010dek\u00e1, \u017ee si na z\u00e1v\u011br sednou na voln\u00e9 \u017eidle. Kdy\u017e si sedli, bylo t\u011b\u017ek\u00e9 vst\u00e1t a odej\u00edt. A\u017e chu\u0165 na cigaretu n\u011bkter\u00e9 p\u0159im\u011bla k odchodu. C\u00edlem asi bylo vyvolat emoce. Forma &hellip;<\/p>\n<p class=\"read-more\"><a href=\"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/01\/debata-divadlo-drejg-nachod-juani-y\/\">\u010c\u00edst d\u00e1le &raquo;<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,46],"tags":[],"class_list":["post-871","post","type-post","status-publish","format-standard","hentry","category-2024-debaty-s-lektory","category-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=871"}],"version-history":[{"count":4,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/871\/revisions"}],"predecessor-version":[{"id":875,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/871\/revisions\/875"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}