{"id":888,"date":"2024-06-02T00:27:44","date_gmt":"2024-06-01T22:27:44","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=888"},"modified":"2024-06-06T02:58:42","modified_gmt":"2024-06-06T00:58:42","slug":"debata-d-r-e-d-nachodsko-kladsko-prazsko-empusy-cumlaji-nemedebata","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/02\/debata-d-r-e-d-nachodsko-kladsko-prazsko-empusy-cumlaji-nemedebata\/","title":{"rendered":"debata: D.R.E.D., N\u00e1chodsko – Kladsko – Pra\u017esko – Emp\u00fasy cumlaj\u00ed n\u011bm\u011b:"},"content":{"rendered":"\n

Lekto\u0159i:<\/strong><\/p>\n\n\n\n

VH: P\u0159ipom\u00edn\u00e1 historii souboru a re\u017eis\u00e9ra Ond\u0159eje Pumra. Inspirace m\u00fdty a tradi\u010dn\u00edmi p\u0159edlohami, snaha o interpretaci. Dnes \u201evlajkov\u00e1 lo\u010f \u010desk\u00fdch divadeln\u00edch skand\u00e1l\u016f.\u201c<\/p>\n\n\n\n

PV: T\u00e9ma ritu\u00e1lu. Vid\u00ed propojen\u00ed s minul\u00fdm rokem a sestupem do podsv\u011bt\u00ed. Emp\u00fasy jsou kompozitn\u00ed \u201estra\u0161idla\u201c, tvorov\u00e9, pekeln\u00e9 postavy. Hekat\u00e9 p\u0159edstavovala d\u0159\u00edve trojm\u011bs\u00ed\u010dn\u00ed bohyni, dnes se vrac\u00ed v popkultu\u0159e – nap\u0159\u00edklad u Dua Lipa. Asociace m\u00faz pod\u0159\u00edzen\u00fdch Apolonovi. Zaj\u00edm\u00e1 jej mytologie a jej\u00ed nepovrchn\u00ed aktualizace pro dne\u0161ek. Z\u00e1\u017eitek z vid\u011bn\u00ed v\u011bc\u00ed jinak. Navzdory skand\u00e1lu minul\u00fd rok nab\u00eddli kr\u00e1su. Byl dojat\u00fd.<\/p>\n\n\n\n\n\n\n\n

V\u010c: Nezn\u00e1 soubor, byla hodn\u011b p\u0159ekvapen\u00e1. L\u00edbil se j\u00ed z\u00e1\u017eitek z p\u0159ekro\u010den\u00ed kuk\u00e1tkov\u00e9ho divadla. Chv\u00edlemi nep\u0159\u00edjemn\u00fd z\u00e1\u017eitek: bl\u00edzkost, repetice, chvilkami pocit k zbl\u00e1zn\u011bn\u00ed a nevydr\u017een\u00ed. Interpretuje to tak, \u017ee mo\u017en\u00e1 bl\u00edzkost smrti je t\u00e9ma, kter\u00e9 nyn\u00ed pro\u017e\u00edv\u00e1, a proto ten nep\u0159\u00edjemn\u00fd pocit. Komicky kr\u00e1tk\u00fd \u017eivot. P\u0159edstaven\u00ed toto t\u00e9ma hmatateln\u011b vystihuje. P\u0159\u00ed\u0161eru ch\u00e1pala jako strach z d\u011btstv\u00ed, no\u010dn\u00ed m\u016fry, kter\u00e9 se n\u00e1s dr\u017e\u00ed cel\u00fd \u017eivot. No\u010dn\u00ed m\u016fra, kterou lze zaj\u00edst bonb\u00f3nem. Nucen\u00fd pocit, \u017ee pat\u0159\u00ed do spole\u010denstv\u00ed. Odkazy na antiku a repetice p\u0159\u00edb\u011bhu, kter\u00fd pro\u017e\u00edv\u00e1me v\u0161ichni. Ritu\u00e1l, kter\u00fd slou\u017e\u00ed k tomu, abychom se z toho nezbl\u00e1znili.<\/p>\n\n\n\n

Vzpom\u00edn\u00e1 na spolupracovn\u00edka Jana Nebesk\u00e9ho, kter\u00fd tak\u00e9 nevysv\u011btluje svou pr\u00e1ci, \u010d\u00edm\u017e vzbuzuje zv\u011bdavost a p\u0159em\u00fd\u0161len\u00ed.<\/p>\n\n\n\n

T\u017d: \u201eSoudek\u201c D.R.E.D. pro n\u011bj znamen\u00e1 komunitn\u00ed divadlo, kter\u00e9 reaguje na atmosf\u00e9ru m\u00edst. \u010cesk\u00e1 spole\u010dnost nen\u00ed tak d\u016fv\u011brn\u00e1 k v\u00ed\u0159e jako polsk\u00e1. C\u00edt\u00ed n\u00e1klonnost k z\u00e1\u017eitku divadla podobn\u011b jako Pol\u00e1ci. Snad souvislost s pohrani\u010d\u00edm, kde re\u017eis\u00e9r p\u016fsob\u00ed ve sv\u00e9m civiln\u00edm zam\u011bstn\u00e1n\u00ed jako \u0159editel domova d\u016fchoc\u016f. Participace div\u00e1ka. V \u010cech\u00e1ch si metody hled\u00e1me. P\u0159edstaven\u00ed tohoto souboru jsou v na\u0161em prostoru jedine\u010dn\u00e1. V\u00fdz\u00fdv\u00e1 k v\u00fdb\u011bru lep\u0161\u00edho prostoru ne\u017e konven\u010dn\u00edho. Nap\u011bt\u00ed s kuk\u00e1tkem je n\u011bkdy prosp\u011b\u0161n\u00e9, n\u011bkdy na \u0161kodu. J\u00edt na d\u0159e\u0148 i v hmot\u011b.<\/p>\n\n\n\n

VH: Cit\u00e1t od diva\u010dky po p\u0159edstaven\u00ed: \u201eTolik bonb\u00f3n\u016f a mu\u017esk\u00e9 p\u0159irozen\u00ed najednou jsem nevid\u011bla.\u201c Divadlo pracuj\u00edc\u00ed s t\u011blesnost\u00ed – mantra \u201eLid\u00e9 obsahuj\u00ed nahotu.\u201c Div\u00e1ci vzta\u017een\u00ed do ritu\u00e1lu, nuceni vn\u00edmat. Av\u0161ak neomlouv\u00e1 souboru divadeln\u00ed nedostatky herc\u016f. Kentau\u0159i by mohli b\u00fdt kr\u00e1sn\u00fdm obrazem a mohli by p\u016fsobit na v\u0161echny div\u00e1ky, ale jsou tak trochu odbit\u00ed. Ohledn\u011b interpretace inscenace: Vol\u00e1 po v\u00fdkladu p\u0159\u00edmo od autora, kter\u00fd by tak mohl zap\u016fsobit na komunitu lid\u00ed. Interpretace nah\u00e9ho \u010dlov\u011bka na jevi\u0161ti ov\u011b\u0161en\u00e9ho svr\u0161ky p\u016fsob\u00ed jako ob\u011btina za minul\u00fd rok. Vyh\u00e1n\u011bn\u00ed \u010dinohern\u00edho divadla z prostoru divadla. D\u016fstojn\u00e9, ale form\u00e1ln\u00ed prost\u0159edky by mohly b\u00fdt d\u016fsledn\u011bj\u0161\u00ed. Dialog s konven\u010dn\u00edm zp\u016fsobem – punkov\u00e9 gesto – se mu l\u00edb\u00ed. V\u011b\u0159\u00ed, \u017ee pou\u017eit\u00ed konven\u010dn\u00edho prostoru je z\u00e1m\u011brem.<\/p>\n\n\n\n

Pl\u00e9num: <\/strong><\/p>\n\n\n\n

Z\u00e1\u017eitek. Dek\u00f3dov\u00e1n\u00ed skrze kr\u00e1su a k\u0159ehkost v\u016f\u010di smrti. \u010c\u00e1st komentuje osobn\u00ed kontakt s t\u011blesnost\u00ed. Fanou\u0161ek divadla D.R.E.D. dod\u00e1v\u00e1 v\u00fdtku, \u017ee by p\u0159ehodil moment mantry s div\u00e1ky na konec, jak tomu bylo loni. Na po\u010d\u00e1tku mu p\u0159i\u0161la ta repetice zbyte\u010dn\u011b dlouh\u00e1. R\u00e1d by za\u017eil v\u00edce dota\u017een\u00fdch kentaur\u016f a m\u00e9n\u011b manter. Dal\u0161\u00ed koment\u00e1\u0159 se t\u00fdkal z\u00e1\u017eitku ze zvuku: prostor divadla jako by se zm\u011bnil v multikino. Hypnotick\u00e1 mantra, \u0161ust\u011bn\u00ed. Spokojen\u00fd div\u00e1k. Prvodiv\u00e1k m\u011bl pocit, \u017ee inscen\u00e1to\u0159i zkou\u0161\u00ed jeho div\u00e1ckou trp\u011blivost. L\u00edbila se pr\u00e1ce s prostorem – mezi lidmi a na kuk\u00e1tku. Jevi\u0161t\u011b je to vn\u011bj\u0161\u00ed, hledi\u0161t\u011b to vnit\u0159n\u00ed. Ocen\u011bn\u00e1 pr\u00e1ce s \u0161\u00e1lami, larvami na jevi\u0161ti. A pot\u00e9 pou\u017eit\u00ed \u0161\u00e1ly jako serv\u00edrovac\u00edho stolu.<\/p>\n\n\n\n

Soubor: <\/strong><\/p>\n\n\n\n

Zcela ml\u010d\u00ed a nechce komentovat. Jeden performer je v\u0161ak dojat\u00fd a d\u011bkuje za ocen\u011bn\u00ed.<\/p>\n\n\n\n

Vysv\u011btlivky: PV – Petr V\u00e1\u0161a, T\u017d – Tom\u00e1\u0161 \u017di\u017eka, V\u010c – Viktorie \u010cerm\u00e1kov\u00e1, VH – Vladim\u00edr Hulec, LR – Lud\u011bk Richter, ZM – Zoja Mikotov\u00e1. Pl\u00e9num – v\u0161ehochu\u0165 div\u00e1k\u016f, Soubor – t\u00fdm dan\u00e9 inscenace.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lekto\u0159i: VH: P\u0159ipom\u00edn\u00e1 historii souboru a re\u017eis\u00e9ra Ond\u0159eje Pumra. Inspirace m\u00fdty a tradi\u010dn\u00edmi p\u0159edlohami, snaha o interpretaci. Dnes \u201evlajkov\u00e1 lo\u010f \u010desk\u00fdch divadeln\u00edch skand\u00e1l\u016f.\u201c PV: T\u00e9ma ritu\u00e1lu. Vid\u00ed propojen\u00ed s minul\u00fdm rokem a sestupem do podsv\u011bt\u00ed. Emp\u00fasy jsou kompozitn\u00ed \u201estra\u0161idla\u201c, tvorov\u00e9, …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,46],"tags":[],"class_list":["post-888","post","type-post","status-publish","format-standard","hentry","category-2024-debaty-s-lektory","category-debaty-s-lektory"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=888"}],"version-history":[{"count":6,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/888\/revisions"}],"predecessor-version":[{"id":949,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/888\/revisions\/949"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}