{"id":911,"date":"2024-06-02T20:43:26","date_gmt":"2024-06-02T18:43:26","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=911"},"modified":"2024-06-02T22:05:15","modified_gmt":"2024-06-02T20:05:15","slug":"debata-dvere-dokoran-pelhrimov-x","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/02\/debata-dvere-dokoran-pelhrimov-x\/","title":{"rendered":"debata: Dve\u0159e doko\u0159\u00e1n, Pelh\u0159imov: X+?=!"},"content":{"rendered":"\n<p><strong>Pl\u00e9num:<\/strong><\/p>\n\n\n\n<p>Cen\u00ed si t\u00e9matu a osobn\u00edho p\u0159\u00edstupu. Otev\u0159en\u00e9 t\u00e9ma &#8211; j\u00e1 jsem jin\u00e1, ty jsi jin\u00fd &#8211;  z\u016fstalo v dichotomii na verb\u00e1ln\u00ed \u00farovni a skon\u010dilo sm\u00ed\u0159en\u00edm. Monot\u00f3nn\u00ed. Spousta rekvizit pou\u017eit\u00fdch k charakterizaci, ale ne zcela vyu\u017eit\u00fdch. P\u0159\u00edli\u0161 mnoho slov.<\/p>\n\n\n\n<p>L\u00edbilo se. Ocen\u011bn\u00ed n\u00e1padu t\u00e1hnut\u00ed balvanu cel\u00fd \u017eivot. O\u010dek\u00e1v\u00e1n\u00ed rozvinut\u00ed t\u00e9matu a\u017e do radik\u00e1ln\u011bj\u0161\u00ed v\u00fdm\u011bny pohlav\u00ed.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>JL: Klasick\u00e1 ZU\u0160 pr\u00e1ce. Mo\u017en\u00e1 vhodn\u011bj\u0161\u00ed pro Mladou sc\u00e9nu. Kvalitn\u00ed pr\u00e1ce. Ocen\u011bn\u00ed p\u0159em\u00fd\u0161len\u00ed a vlastn\u00edho t\u00e9matu, pot\u0159eby vypov\u00eddat o sob\u011b, o genderov\u00e9 nevyv\u00e1\u017eenosti a ot\u00e1zky, kdo jsem j\u00e1 a co ode m\u011b o\u010dek\u00e1v\u00e1 spole\u010dnost. Divadeln\u011b je ale co dotahovat, aby vystoupili z line\u00e1rnosti inscenace. Vytv\u00e1\u0159et situace. Pr\u00e1ce s kamenem zaj\u00edmav\u00e1, ale nab\u00edzela v\u00edc. Je\u0161t\u011b v\u00edce vypointovat a vygradovat situace.<\/p>\n\n\n\n<p>Vyrovnan\u00e9 a harmonick\u00e9 v\u00fdkony, kontinuita a\u017e k deziluzi. Strach z dosp\u011blosti. Na to, \u017ee soubor je zredukovan\u00fd ze \u0161esti na dva lidi, to dal s p\u0159ehledem. Nabit\u00e9. Hodn\u011b dosp\u011bl\u00e9.<\/p>\n\n\n\n<p>LR: V\u011b\u0159\u00edme t\u00e9 v\u011bci, proto\u017ee na herc\u00edch je vid\u011bt, \u017ee oni tomu v\u011b\u0159\u00ed, \u017ee si objevili, co je ve spole\u010dnosti \u0161patn\u011b. Rezervu vid\u00ed v principu stavby v\u011bci, kter\u00e1 je postaven\u00e1 na vypo\u010d\u00edt\u00e1v\u00e1n\u00ed v\u011bc\u00ed. P\u0159edm\u011bty nerostou v\u00fdznamov\u011b skrze jejich pou\u017eit\u00ed a pot\u00e9 v\u00fdvojem vztahu k nim a vz\u00e1jemn\u011b k sob\u011b. Nov\u00e9 a r\u016fznorod\u00e9 v\u011bci jsou odlo\u017eeny. M\u00e1lo je v\u00edce. Kameny jako symbolika. Ostatn\u00ed rekvizity jako metafora. Kvituje ale, \u017ee za\u010dali takto divadeln\u011b pracovat.<\/p>\n\n\n\n<p>POM: Ocenil hereck\u00fd minimalismus a v\u00fdpravu. Kameny by mohly b\u00fdt v\u011bt\u0161\u00ed, proto\u017ee z\u016fstaly na pomez\u00ed symbolu a z\u00e1va\u017e\u00ed. Uv\u00edtal by p\u0159\u00edklon k jednomu \u010di druh\u00e9mu.<\/p>\n\n\n\n<p><strong>Lekto\u0159i:<\/strong><\/p>\n\n\n\n<p>T\u017d: (Dne\u0161n\u00ed inscenace jsou propojen\u00e9 \u00faklidem.) Jednoduch\u00fd tvar. Za sc\u00e9nografii: ka\u017ed\u00e1 v\u011bc, hmota, n\u00e1kupn\u00ed ta\u0161ky hraje. Stra\u0161n\u011b zaj\u00edmav\u00e9 bylo sledovat, jak se k v\u011bcem na jevi\u0161ti stav\u011bli. Vzpom\u00edn\u00e1 &#8222;poetiku Ren\u00e9 Magritta\u201c. Uv\u011b\u0159il, \u017ee je t\u00e9ma inscenace autentick\u00e9 d\u00edky z\u00e1v\u011bru p\u0159i p\u0159ed\u00e1v\u00e1n\u00ed kv\u011btin a platby od p\u0159\u00edbuzn\u00fdch.<br>Pr\u00e1ce s kamenem: Inscenaci slu\u0161\u00ed dr\u017eet se kamene. Zast\u00e1nce haptik\u016f. Pro v\u00fdb\u011br kamene p\u0159ipom\u00edn\u00e1 sc\u00e9nografick\u00e9 pravidlo &#8211; jeden \u010dlov\u011bk unese k\u00e1men o d\u00e9lce lokte a v\u00fd\u0161ku d\u00e9lky mal\u00ed\u010dku a palce od sebe.<\/p>\n\n\n\n<p>V\u010c: Leccos v p\u0159edstaven\u00ed oce\u0148ovala a z\u00e1rove\u0148 byla zklaman\u00e1, \u017ee se nedozv\u011bd\u011bla v\u00edc. Krom\u011b kamen\u016f se neodehr\u00e1lo nic ne\u010dekan\u00e9ho. \u0160tvala ji &#8222;ZU\u0160&#8220; kombinace r\u016f\u017eov\u00e1 a modr\u00e1 ko\u0161ile p\u0159es \u010dern\u00e9 oble\u010den\u00ed. Vizu\u00e1ln\u011b ji vadil rozd\u00edl, jak se chovali k plastu a jak ke kameni. Vid\u00ed pou\u017eit\u00e9 dva modely sc\u00e9nick\u00e9ho uva\u017eov\u00e1n\u00ed: n\u011bco byly vtipy (ta\u0161ky) a n\u011bco poetick\u00e1 rovina (kameny). Sc\u00e9nicky ne\u010dist\u00e9. Podstatn\u00e9 v \u017eivot\u011b by m\u011blo b\u00fdt v\u00edce odd\u011blen\u00e9, nap\u0159. pomoc\u00ed sv\u011btla.<\/p>\n\n\n\n<p>PV: P\u0159edstaven\u00ed se l\u00edbilo. Na po\u010d\u00e1tku obava z opakov\u00e1n\u00ed. Sc\u00e9nick\u00e1 \u0159e\u0161en\u00ed p\u0159ekvapiv\u00e1 a neot\u0159el\u00e1. Zd\u00e1lo se mu, \u017ee rozhoduj\u00edc\u00ed slo\u017ekou a silou inscenace je osobn\u00ed nasazen\u00ed a p\u0159esv\u011bd\u010divost protagonist\u016f. Ani na chvili\u010dku se nezatv\u00e1\u0159ili, \u017ee by jen plnili n\u011bjak\u00fd \u00fakol. Nebylo to \u201epapundeklov\u00e9\u201c. Chvilku v\u00e1hal ohledn\u011b stereotyp\u016f (r\u016f\u017eov\u00e1, modr\u00e1), pak ho ale p\u0159esv\u011bd\u010dila kl\u00ed\u010dov\u00e1 v\u011bta: \u201eJsme z Pelh\u0159imova.\u201c Navrhuje nem\u011bnit pohlav\u00ed, ale odst\u011bhovat se. Stereotypn\u00ed \u0159e\u0161en\u00ed existuj\u00ed na mal\u00fdch m\u011bstech. Dojmut\u00fd ze spole\u010denstv\u00ed. P\u0159ipomn\u011blo to, \u017ee jsme bublina. Kameny mu p\u0159ipomn\u011bly Sisyfa.<\/p>\n\n\n\n<p>VH: P\u0159esv\u011bd\u010dili o sv\u00e9m t\u00e9matu i skeptiky. C\u00edt\u00ed v\u00edce v\u011bc\u00ed, se kter\u00fdmi se d\u00e1 je\u0161t\u011b pracovat. Souhlas\u00ed s kritickou \u010d\u00e1st\u00ed pl\u00e9na.<\/p>\n\n\n\n<p><strong>Soubor:<\/strong><\/p>\n\n\n\n<p>Zaj\u00edmav\u00e1 debata. Akcentovan\u00e9 kameny jsou velk\u00fd jmenovatel. Nejsou jen symbolem, ale i skute\u010dnou t\u00edhou. Proces inscenace vid\u00ed a cen\u00ed si jako objevov\u00e1n\u00ed. Za\u017e\u00edv\u00e1n\u00ed spole\u010dn\u00e9ho v\u00fdvoje hrou.<\/p>\n\n\n\n<p class=\"has-luminous-vivid-amber-background-color has-background\">Vysv\u011btlivky: PV &#8211; Petr V\u00e1\u0161a, T\u017d &#8211; Tom\u00e1\u0161 \u017di\u017eka, V\u010c &#8211; Viktorie \u010cerm\u00e1kov\u00e1, VH &#8211; Vladim\u00edr Hulec, LR &#8211; Lud\u011bk Richter, ZM &#8211; Zoja Mikotov\u00e1. Pl\u00e9num &#8211; v\u0161ehochu\u0165 div\u00e1k\u016f, POM &#8211; Petr Odo Mach\u00e1\u010dek, Soubor &#8211; t\u00fdm dan\u00e9 inscenace.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pl\u00e9num: Cen\u00ed si t\u00e9matu a osobn\u00edho p\u0159\u00edstupu. Otev\u0159en\u00e9 t\u00e9ma &#8211; j\u00e1 jsem jin\u00e1, ty jsi jin\u00fd &#8211; z\u016fstalo v dichotomii na verb\u00e1ln\u00ed \u00farovni a skon\u010dilo sm\u00ed\u0159en\u00edm. Monot\u00f3nn\u00ed. Spousta rekvizit pou\u017eit\u00fdch k charakterizaci, ale ne zcela vyu\u017eit\u00fdch. P\u0159\u00edli\u0161 mnoho slov. L\u00edbilo &hellip;<\/p>\n<p class=\"read-more\"><a href=\"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/02\/debata-dvere-dokoran-pelhrimov-x\/\">\u010c\u00edst d\u00e1le &raquo;<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,46],"tags":[75,76],"class_list":["post-911","post","type-post","status-publish","format-standard","hentry","category-2024-debaty-s-lektory","category-debaty-s-lektory","tag-dvere-dokoran","tag-pelhrimov"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=911"}],"version-history":[{"count":9,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/911\/revisions"}],"predecessor-version":[{"id":932,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/911\/revisions\/932"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=911"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}