{"id":915,"date":"2024-06-02T21:29:49","date_gmt":"2024-06-02T19:29:49","guid":{"rendered":"https:\/\/blog.sramkuvpisek.cz\/?p=915"},"modified":"2024-06-02T21:30:19","modified_gmt":"2024-06-02T19:30:19","slug":"debata-jensena-trasa-praha-egoniasovo-proroctvi","status":"publish","type":"post","link":"https:\/\/blog.sramkuvpisek.cz\/index.php\/2024\/06\/02\/debata-jensena-trasa-praha-egoniasovo-proroctvi\/","title":{"rendered":"debata: Jensena T\u0159\u00e1s\u00e1, Praha: Egoni\u00e1\u0161ovo proroctv\u00ed"},"content":{"rendered":"\n

Pl\u00e9num:<\/strong><\/p>\n\n\n\n

Mnoho my\u0161lenek k zamy\u0161len\u00ed, kter\u00e9 bylo t\u011b\u017ek\u00e9 usledovat v kombinaci ne v\u017edy jasn\u00e9ho pohybu. N\u011bkdy bylo t\u011b\u017ek\u00e9 zpozorovat, kdo mluv\u00ed.<\/p>\n\n\n\n

Vodop\u00e1d textu si moc u\u017eil moc. Ned\u016fslednost k\u00f3du zt\u011b\u017eovala pochopen\u00ed. N\u011bkdy zafungovalo, \u017ee se z toho stala polyfonie hlas\u016f. Nepochopil, co tam obsahov\u011b h\u00e1zeli ukl\u00edze\u010di. L\u00edbil by se mu koncept postdramatick\u00e9ho textu s mizej\u00edc\u00edmi postavami.<\/p>\n\n\n\n\n\n\n\n

Oran\u017eov\u00e9 vesty jako porevolu\u010dn\u00ed \u00faklid. Hlasov\u00e9 modifikace dod\u00e1van\u00e9 n\u011bkter\u00fdm postav\u00e1m se tloukly s gestem.<\/p>\n\n\n\n

Mlad\u0161\u00ed generace se ztr\u00e1cela. P\u0159ikl\u00e1daj\u00ed to neznalosti postav (re\u00e1ln\u00fdch lid\u00ed), kte\u0159\u00ed ve h\u0159e vystupuj\u00ed.<\/p>\n\n\n\n

ZM: P\u0159ipomn\u011blo to hodn\u011b. Pou\u010den\u00ed. Souzn\u011bn\u00ed se zapomenut\u00edm textu. Zjeven\u00ed. Mopy jako \u00faklid. L\u00edbila se \u010distota.<\/p>\n\n\n\n

JL: Moc se l\u00edbilo. Ale tou\u017eila po zastaven\u00ed alespo\u0148 na chvili\u010dku – na zpracov\u00e1n\u00ed „textov\u00e9 povodn\u011b“.<\/p>\n\n\n\n

Lekto\u0159i:<\/strong><\/p>\n\n\n\n

VH: Soubor poprv\u00e9 na p\u0159ehl\u00eddce a je tak konfrontov\u00e1n se sv\u011btem, kter\u00fd neznaj\u00ed.<\/p>\n\n\n\n

V\u010c: Komplikovan\u00fd text, kter\u00e9ho je hodn\u011b, pom\u00e1h\u00e1 pro zapamatov\u00e1n\u00ed pr\u00fd rozstrkat do chl\u00edvk\u016f a pohybu na jevi\u0161ti. Pr\u00e1ce s pohybem nen\u00ed natolik propracovan\u00e1, aby to pom\u00e1halo upev\u0148ov\u00e1n\u00ed textu. Pohyb se stolem nepom\u00e1h\u00e1, proto\u017ee se opakuje n\u011bkolikr\u00e1t. Velice n\u00e1ro\u010dn\u00e9 na mozek. Doporu\u010duje souboru zbavit se n\u00e1roku \u201ed\u011blat divadeln\u00ed divadlo\u201c, pomohlo by nap\u0159. sed\u011bt u stolu \u00e1 la posledn\u00ed ve\u010de\u0159e a nab\u00eddnout si a div\u00e1k\u016fm tak v\u00edce klidu k pochopen\u00ed obsahu. Cel\u00fd p\u0159\u00edb\u011bh je veden\u00fd intelektem, nikoliv srdcem, ned\u011bj\u00ed se tam situace, a tak nen\u00ed pohyb z\u00e1sadn\u00ed. N\u011bkter\u00e9 fyzick\u00e9 vtipy ocenila, ale proto\u017ee nebyly \u00fapln\u011b d\u016fsledn\u00e9, klidn\u011b by je o\u017eelila.<\/p>\n\n\n\n

T\u017d: Re\u017eie tam byla: Kozelka zas\u00e1hl „oknem“. Sc\u00e9nograficky i kost\u00fdmov\u011b perfektn\u011b jasn\u00e1 \u201eN\u00e1dra\u017eka\u201c na Sm\u00edchov\u011b. Bere gestus jako postoj. Bral to jako terapii proti Alzheimerovi. D\u011bkuje, \u017ee se to stmelilo na konci. Vzpom\u00edn\u00e1 si na jednotliv\u00e9 osobnosti. Inscenace zasahovala \u0161l\u00e1gvorty jeho pam\u011b\u0165. Genera\u010dn\u00ed poetika.<\/p>\n\n\n\n

PV: Navrhuje anga\u017eovat T\u017d, aby inscenaci dovysv\u011btloval v pauz\u00e1ch. Kouzeln\u00e9 p\u0159edstaven\u00ed. Zaj\u00edmal ho postoj souboru. Osobn\u00ed \u0161arm. Kouzeln\u00fd text, pas\u00e1\u017e o Hru\u0161kovi mu ale p\u0159i\u0161la nespravedliv\u00e1. „Petru\u0161ka \u0160ustrov\u00e1“ by m\u011bla hr\u00e1t h\u016f\u0159. P\u0159esv\u011bd\u010div\u00fd a osv\u011b\u017euj\u00edc\u00ed postoj. P\u0159ekvapil ho rozpor v postoji: berte \u010di ne (od souboru) x text ale elit\u00e1\u0159sk\u00fd, old school. Nev\u00fdhoda je, \u017ee podobn\u00e9 v\u011bci rychle st\u00e1rnou, po \u010dase \u010dlov\u011bk nev\u00ed, kdo je kdo. Ocenil Plastiky na konci. Doporu\u010duje souboru p\u0159esunout se bl\u00ed\u017ee k undergroundu, t\u00edm, \u017ee si pro sebe nap\u00ed\u0161\u00ed hru sami. R\u00e1d by byl u zkou\u0161en\u00ed a nosil k\u00e1vu. <\/p>\n\n\n\n

VH: Uva\u017euje, zda m\u016f\u017ee \u010di nere\u017e\u00edrovat. V n\u011bjak\u00e9 f\u00e1zi p\u0159estal kl\u00ed\u010dovat postavy, aby text p\u016fsobil jako plivanec v\u016f\u010di d\u011bn\u00ed. Performativnost dobr\u00e1, pouze iritov\u00e1n, \u017ee nen\u00ed v kel\u00edmk\u00e1ch pivo. Bavilo by ho, aby se skute\u010dn\u011b ukl\u00edzelo. Takto to bylo trochu moc \u010dist\u00e9. Vypadnut\u00ed textu se stane a pat\u0159\u00ed k tomu, spoluvytv\u00e1\u0159\u00ed div\u00e1ck\u00fd z\u00e1\u017eitek.\u00a0<\/p>\n\n\n\n

Soubor:<\/strong><\/p>\n\n\n\n

Text od Kozelky napsan\u00fd jako monology Egona Bondyho, kter\u00e9 soubor rozd\u011blil na dialogy. Nen\u00ed t\u0159eba zn\u00e1t ty postavy, kter\u00e9 mluv\u00ed. By\u0165 znalost pom\u00e1h\u00e1. Text lze sledovat i jako sled my\u0161lenek.\u00a0<\/p>\n\n\n\n

P\u0159i premi\u00e9\u0159e m\u011bli v kel\u00edmk\u00e1ch na sc\u00e9n\u011b pivo a dokonce ho i rozlili a pak jim smrd\u011bly mopy, tak\u017ee u\u017e to ned\u011blaj\u00ed.<\/p>\n\n\n\n

Vysv\u011btlivky: PV – Petr V\u00e1\u0161a, T\u017d – Tom\u00e1\u0161 \u017di\u017eka, V\u010c – Viktorie \u010cerm\u00e1kov\u00e1, VH – Vladim\u00edr Hulec, LR – Lud\u011bk Richter, ZM – Zoja Mikotov\u00e1. Pl\u00e9num – v\u0161ehochu\u0165 div\u00e1k\u016f, POM – Petr Odo Mach\u00e1\u010dek, JL – Ji\u0159ina Lhotsk\u00e1, Soubor – t\u00fdm dan\u00e9 inscenace.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pl\u00e9num: Mnoho my\u0161lenek k zamy\u0161len\u00ed, kter\u00e9 bylo t\u011b\u017ek\u00e9 usledovat v kombinaci ne v\u017edy jasn\u00e9ho pohybu. N\u011bkdy bylo t\u011b\u017ek\u00e9 zpozorovat, kdo mluv\u00ed. Vodop\u00e1d textu si moc u\u017eil moc. Ned\u016fslednost k\u00f3du zt\u011b\u017eovala pochopen\u00ed. N\u011bkdy zafungovalo, \u017ee se z toho stala polyfonie hlas\u016f. …<\/p>\n

\u010c\u00edst d\u00e1le »<\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61,46],"tags":[77,78],"class_list":["post-915","post","type-post","status-publish","format-standard","hentry","category-2024-debaty-s-lektory","category-debaty-s-lektory","tag-jensena-trasa","tag-kozelka"],"_links":{"self":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/comments?post=915"}],"version-history":[{"count":3,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/915\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/posts\/915\/revisions\/921"}],"wp:attachment":[{"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/media?parent=915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/categories?post=915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.sramkuvpisek.cz\/index.php\/wp-json\/wp\/v2\/tags?post=915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}